#EF1DE7Pink Pride (#EF1DE7) is a mid-tone, vivid magenta with an OKLCH hue of 330°, lightness 0.67 and chroma 0.294. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #EF1DE7 |
|---|---|
| RGB | rgb(239, 29, 231) |
| HSL | hsl(302, 87%, 53%) |
| HSV | hsv(302, 88%, 94%) |
| CMYK | cmyk(0%, 88%, 3%, 6%) |
| CIE Lab | lab(57.1 89.9 -52.8) |
| OKLCH | oklch(0.670 0.294 330) |
Under warm 2700K interior light Pink Pride shifts subtly: leans toward pink; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.1), so it is a lighting-stable choice.
#f01ad9 — ΔE 2.1, shifts subtly: leans toward pink#f31ee3 — ΔE 1.1, shifts subtly: leans toward pink#ef1de7 — ΔE 0.0, is virtually unchanged#f01cea — ΔE 0.5, is virtually unchangedTest Pink Pride in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.5:1 and against black 6:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffe5fc · #ff9ef6 · #ef1de7 · #c700c0 · #8f008b · #5c0059
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ff95b3 · #ff65c3 · #ef1de7 · #bb2ef0 · #8935ec · #5739db
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ff8f8c · #ef1de7 · #c115ba · #ac0023 · #6c0068 · #50000a
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00ea6f · #ef1de7 · #92618d · #83287e · #5e075a · #350133
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#dffae4 · #ef1de7 · #8f6e8b · #3d4f40 · #2f0f2d · #000200
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ebf5ec · #c1ccc2 · #92a095 · #16271a · #000600 · #ef1de7
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e4e2bc · #41e4c9 · #ef1de7 · #9569b4 · #384b38 · #0f0625
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d3ffdb · #ef1de7 · #708500 · #00564b · #1a2100 · #000201
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fff1cb · #ef1de7 · #957600 · #00535f · #002329 · #0b0500
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffeee1 · #ef1de7 · #b36300 · #005926 · #002035 · #000200
#F853EF · #FF75F6 · #FF9AF6 · #FFB9F8 · #FFD5FA
#C800C1 · #9F009A · #790074 · #540051 · #320030
#DF4FD6 · #CD69C5 · #BA7CB4
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.