#F5A8B2Pink Fit (#F5A8B2) is a light, soft pink with an OKLCH hue of 11°, lightness 0.81 and chroma 0.092. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #F5A8B2 |
|---|---|
| RGB | rgb(245, 168, 178) |
| HSL | hsl(352, 79%, 81%) |
| HSV | hsv(352, 31%, 96%) |
| CMYK | cmyk(0%, 31%, 27%, 4%) |
| CIE Lab | lab(76.5 29.7 6.4) |
| OKLCH | oklch(0.808 0.092 11) |
Under warm 2700K interior light Pink Fit shifts subtly: drifts toward red; in north-facing or shaded light it shifts subtly: leans toward magenta. Overall drift across common illuminants is small (max ΔE ≈ 1.7), so it is a lighting-stable choice.
#f9a3a6 — ΔE 1.7, shifts subtly: drifts toward red#fba8ae — ΔE 1.1, shifts subtly: leans toward orange#f5a8b2 — ΔE 0.0, is virtually unchanged#f5a9b5 — ΔE 0.4, shifts subtly: leans toward magentaTest Pink Fit in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.89:1 and against black 11.13:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffedee · #f5a8b2 · #d28c95 · #a66871 · #7d474f · #55282f
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffd5c4 · #ffbdb5 · #f5a8b2 · #d997b0 · #bc88ab · #9e7aa2
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f5a8b2 · #b69b84 · #ac6f77 · #8a5928 · #6c3840 · #422a13
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f6dddf · #f5a8b2 · #4fb0ab · #987175 · #755357 · #4f383b
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f5a8b2 · #9ca7a6 · #7d6e70 · #3f4746 · #251719 · #000202
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f4 · #bdcdcc · #8ea1a0 · #102928 · #000706 · #f5a8b2
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f5a8b2 · #91aaa8 · #36807d · #00504d · #002120 · #090001
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d9debc · #f5a8b2 · #72b6ca · #5e7d71 · #334033 · #1f0803
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f5a8b2 · #9ea896 · #647c4e · #184774 · #001c3a · #010500
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f5a8b2 · #a8a592 · #7c743f · #00504d · #17143e · #000202
#F8B4BC · #FCC0C7 · #FFCBD1 · #FFD8DC · #FFE5E7
#CB8790 · #A36770 · #7D4951 · #582D34 · #361319
#EBAEB5 · #E0B3B8 · #D5B8BB
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.