#F0A1BFPrism Pink (#F0A1BF) is a light, soft pink with an OKLCH hue of 355°, lightness 0.79 and chroma 0.1. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #F0A1BF |
|---|---|
| RGB | rgb(240, 161, 191) |
| HSL | hsl(337, 72%, 79%) |
| HSV | hsv(337, 33%, 94%) |
| CMYK | cmyk(0%, 33%, 20%, 6%) |
| CIE Lab | lab(74.7 33.4 -3.4) |
| OKLCH | oklch(0.795 0.100 355) |
Under warm 2700K interior light Prism Pink shifts subtly: leans toward red; in north-facing or shaded light it shifts subtly: leans toward purple. Overall drift across common illuminants is small (max ΔE ≈ 1.8), so it is a lighting-stable choice.
#f49cb3 — ΔE 1.8, shifts subtly: leans toward red#f6a1bb — ΔE 1.1, shifts subtly: leans toward red#f0a1bf — ΔE 0.0, is virtually unchanged#f0a2c2 — ΔE 0.4, shifts subtly: leans toward purpleTest Prism Pink in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.99:1 and against black 10.56:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffecf2 · #f0a1bf · #d289a5 · #a6667f · #7d455b · #55263a
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffd0ca · #ffb6be · #f0a1bf · #d192bc · #b185b5 · #9178aa
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f0a1bf · #b89482 · #a76981 · #8f4e2b · #673248 · #432313
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f1d8e0 · #f0a1bf · #4aae96 · #946b7a · #704e5b · #4b343d
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e9f5f1 · #f0a1bf · #ab9ba0 · #5a6260 · #312328 · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e8f5f1 · #becec9 · #90a29d · #132b25 · #000905 · #f0a1bf
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d4dbb5 · #f0a1bf · #ce8cca · #34a26b · #303f2d · #200504
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#def9f1 · #f0a1bf · #80ae81 · #006e77 · #003208 · #000304
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f1f5de · #f0a1bf · #9ea66c · #0c6891 · #002c41 · #010100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fbf1dc · #f0a1bf · #b79c64 · #00715e · #132451 · #000402
#F4AEC8 · #F8BBD1 · #FCC7DA · #FFD4E3 · #FFE3EC
#C7819C · #A0637B · #7B455B · #572A3D · #351021
#E6A7BE · #DBADBE · #D0B3BD
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.