#920A4EMulberry (#920A4E) is a dark, saturated pink with an OKLCH hue of 359°, lightness 0.43 and chroma 0.169. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #920A4E |
|---|---|
| RGB | rgb(146, 10, 78) |
| HSL | hsl(330, 87%, 31%) |
| HSV | hsv(330, 93%, 57%) |
| CMYK | cmyk(0%, 93%, 47%, 43%) |
| CIE Lab | lab(31.5 55 -1.2) |
| OKLCH | oklch(0.432 0.169 359) |
Under warm 2700K interior light Mulberry shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.8), so it is a lighting-stable choice.
#920449 — ΔE 0.8, shifts subtly: leans toward red#94084c — ΔE 0.5, shifts subtly: leans toward red#920a4e — ΔE 0.0, is virtually unchanged#920a4f — ΔE 0.2, is virtually unchangedAgainst white it measures 8.84:1 and against black 2.38:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#e27fa1 · #c0537b · #920a4e · #6c0037 · #380019 · #0e0003
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#b2503f · #a53144 · #920a4e · #720355 · #530055 · #35004e
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d89772 · #d56600 · #935d3d · #920a4e · #670034 · #3d001c
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e3c6 · #bb7a8e · #89636e · #920a4e · #571a32 · #2d0a18
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e2f7f2 · #bea3aa · #5f6d6a · #920a4e · #4a3038 · #000201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f2 · #bdceca · #8fa29d · #112a25 · #000805 · #920a4e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#cefef2 · #00c6ad · #007b6b · #920a4e · #004339 · #0e0003
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#cefef2 · #67c37b · #007786 · #920a4e · #004619 · #000304
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eef7d1 · #a2b74b · #0071a6 · #920a4e · #003d5c · #010100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fff1cd · #cda631 · #007b6b · #920a4e · #1d2c81 · #000302
#A93C67 · #C05F82 · #D5819D · #EAA3B9 · #FEC6D6
#7D0041 · #670034 · #510028 · #3D001C · #2A0011
#86274E · #7A374F · #6C424F
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.