#80013FWine (#80013F) is a dark, saturated pink with an OKLCH hue of 1°, lightness 0.39 and chroma 0.156. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #80013F |
|---|---|
| RGB | rgb(128, 1, 63) |
| HSL | hsl(331, 98%, 25%) |
| HSV | hsv(331, 99%, 50%) |
| CMYK | cmyk(0%, 99%, 51%, 50%) |
| CIE Lab | lab(26.7 50.7 1.2) |
| OKLCH | oklch(0.388 0.156 1) |
Under warm 2700K interior light Wine shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.8), so it is a lighting-stable choice.
#80003a — ΔE 0.8, shifts subtly: leans toward red#82003e — ΔE 0.5, is virtually unchanged#80013f — ΔE 0.0, is virtually unchanged#800140 — ΔE 0.2, is virtually unchangedAgainst white it measures 10.53:1 and against black 1.99:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#e28ca5 · #bf607e · #9c345a · #80013f · #40001c · #140004
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#9f4734 · #922937 · #80013f · #620045 · #440042 · #280039
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e6ab86 · #d97896 · #be5e00 · #825334 · #80013f · #550027
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e3ca · #aa6f7f · #7a5861 · #80013f · #481126 · #21030d
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e3f7f3 · #b69da3 · #53605e · #80013f · #3d252c · #000201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f2 · #bccdc9 · #8da19d · #0d2823 · #000504 · #80013f
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#cddbb8 · #ccadcb · #23838d · #455969 · #80013f · #1e071c
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d0d6b1 · #8ec2c4 · #57945a · #545d4c · #80013f · #230603
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#edf7d5 · #98b051 · #006396 · #80013f · #00314e · #010200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fdf1cf · #c1a13a · #006d60 · #80013f · #19206e · #000201
#9A365A · #B35A76 · #CB7D94 · #E3A1B3 · #FAC5D2
#6D0034 · #5B002A · #490020 · #370017 · #27000E
#751F40 · #6A2D41 · #5E3742
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.