#941751Wine Grape (#941751) is a dark, saturated pink with an OKLCH hue of 359°, lightness 0.44 and chroma 0.164. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #941751 |
|---|---|
| RGB | rgb(148, 23, 81) |
| HSL | hsl(332, 73%, 34%) |
| HSV | hsv(332, 84%, 58%) |
| CMYK | cmyk(0%, 84%, 45%, 42%) |
| CIE Lab | lab(32.9 53.2 -1.1) |
| OKLCH | oklch(0.443 0.164 359) |
Under warm 2700K interior light Wine Grape shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.9), so it is a lighting-stable choice.
#94134b — ΔE 0.9, shifts subtly: leans toward red#97164f — ΔE 0.7, shifts subtly: leans toward red#941751 — ΔE 0.0, is virtually unchanged#941752 — ΔE 0.2, is virtually unchangedTest Wine Grape in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 8.4:1 and against black 2.5:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#e383a3 · #c1577e · #941751 · #6f0039 · #3b001b · #120004
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#b45544 · #a73748 · #941751 · #750f58 · #560857 · #380350
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#da9c77 · #d86a0c · #966142 · #941751 · #6b0037 · #42001f
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e3c6 · #bd7e92 · #8b6772 · #941751 · #591e35 · #300e1b
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e2f7f2 · #bfa5ac · #62706d · #941751 · #4d333b · #000201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f2 · #bdceca · #8fa29d · #112a25 · #000805 · #941751
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d9dab4 · #2fb34b · #765597 · #941751 · #3b4432 · #210604
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#cffdf2 · #6cc47f · #007b8a · #941751 · #00491b · #000304
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eef7d2 · #a4b852 · #0074ab · #941751 · #004061 · #010100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fff1cd · #cea83b · #007f6e · #941751 · #203083 · #000302
#AB416A · #C16384 · #D6849F · #EAA5BA · #FEC7D7
#7F0A43 · #6A0036 · #540029 · #3E001D · #2A0011
#882D51 · #7C3B52 · #6F4552
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.