#4C9141May Green (#4C9141) is a mid-tone, saturated green with an OKLCH hue of 141°, lightness 0.59 and chroma 0.134. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #4C9141 |
|---|---|
| RGB | rgb(76, 145, 65) |
| HSL | hsl(112, 38%, 41%) |
| HSV | hsv(112, 55%, 57%) |
| CMYK | cmyk(48%, 0%, 55%, 43%) |
| CIE Lab | lab(54.2 -38.2 35.4) |
| OKLCH | oklch(0.592 0.134 141) |
Under warm 2700K interior light May Green shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.4), so it is a lighting-stable choice.
#578d3a — ΔE 1.4, shifts subtly: leans toward yellow#53923e — ΔE 0.8, shifts subtly: leans toward yellow#4c9141 — ΔE 0.0, is virtually unchanged#4b9242 — ΔE 0.3, is virtually unchangedTest May Green in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.86:1 and against black 5.43:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#b1e6a8 · #84c07a · #4c9141 · #347429 · #124f06 · #022b00
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#50b79c · #46a572 · #4c9141 · #5c7816 · #605f00 · #5b4900
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#10d6d3 · #68aaa7 · #4c9141 · #38702f · #1e5316 · #003433
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#d5eed1 · #a8cea1 · #92a68e · #4c9141 · #7f408b · #2b4927
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f8eefa · #909d8e · #4c9141 · #686169 · #202d1e · #020002
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f7eff8 · #cfc5d0 · #a297a4 · #2a1d2c · #08010a · #4c9141
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d4d7b2 · #8a9a6d · #4c9141 · #8b2550 · #3f3050 · #1d0503
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f0c9b8 · #9191b1 · #4c9141 · #763767 · #393651 · #111004
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ebf2ff · #7399db · #4c9141 · #a23d41 · #54000e · #000011
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e3f5ff · #47a5cf · #4c9141 · #854692 · #451b00 · #050008
#66A35D · #80B477 · #9AC692 · #B3D8AD · #CEEAC9
#3A7830 · #28611F · #174A0E · #053400 · #001F00
#598D50 · #648A5E · #6E866A
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.