#428929La Palma (#428929) is a mid-tone, saturated green with an OKLCH hue of 139°, lightness 0.56 and chroma 0.149. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #428929 |
|---|---|
| RGB | rgb(66, 137, 41) |
| HSL | hsl(104, 54%, 35%) |
| HSV | hsv(104, 70%, 54%) |
| CMYK | cmyk(52%, 0%, 70%, 46%) |
| CIE Lab | lab(50.9 -40.5 42.9) |
| OKLCH | oklch(0.563 0.149 139) |
Under warm 2700K interior light La Palma shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.4), so it is a lighting-stable choice.
#4d8522 — ΔE 1.4, shifts subtly: leans toward yellow#498926 — ΔE 0.6, shifts subtly: leans toward yellow#428929 — ΔE 0.0, is virtually unchanged#418a2a — ΔE 0.3, is virtually unchangedTest La Palma in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 4.34:1 and against black 4.84:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#a6de96 · #7ab767 · #428929 · #2a6c0c · #144600 · #052300
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#3ab08f · #349e62 · #428929 · #586f00 · #5a5600 · #534100
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#00ccc6 · #58a29e · #428929 · #2f691a · #164b00 · #002c2a
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#cbe5c4 · #9ec693 · #899d83 · #428929 · #78348a · #23421a
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f8eefb · #879584 · #428929 · #605962 · #1d2a19 · #020003
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f6eff9 · #cec5d1 · #a298a5 · #291d2d · #07010a · #428929
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#fbecff · #af78be · #428929 · #7e3a90 · #3e014b · #000200
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e0cff1 · #c29aab · #428929 · #6d47a5 · #39314a · #131104
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eaf2ff · #6291d8 · #428929 · #9e2d39 · #4e000f · #000013
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e2f5ff · #259dca · #428929 · #7e3a90 · #411700 · #05000a
#5E9C4B · #79AF69 · #94C287 · #B0D5A5 · #CBE9C3
#327219 · #225C07 · #144600 · #0B3100 · #031D00
#50853F · #5B8250 · #667D5F
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.