#588C3AIndica (#588C3A) is a mid-tone, soft green with an OKLCH hue of 136°, lightness 0.58 and chroma 0.127. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #588C3A |
|---|---|
| RGB | rgb(88, 140, 58) |
| HSL | hsl(98, 41%, 39%) |
| HSV | hsv(98, 59%, 55%) |
| CMYK | cmyk(37%, 0%, 59%, 45%) |
| CIE Lab | lab(53.1 -32.7 37.8) |
| OKLCH | oklch(0.585 0.127 136) |
Under warm 2700K interior light Indica shifts subtly: drifts toward yellow-green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.4), so it is a lighting-stable choice.
#618833 — ΔE 1.4, shifts subtly: drifts toward yellow-green#5e8c37 — ΔE 0.7, shifts subtly: leans toward yellow#588c3a — ΔE 0.0, is virtually unchanged#578d3b — ΔE 0.3, is virtually unchangedTest Indica in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 4.02:1 and against black 5.23:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#b7e1a2 · #8cbb74 · #588c3a · #407022 · #214b00 · #0e2800
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#5bb493 · #53a16a · #588c3a · #637311 · #635b00 · #5c4500
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#33d3c7 · #6aa7a1 · #588c3a · #426c29 · #294f0e · #00322e
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#d6eacd · #acca9d · #93a28b · #588c3a · #77428c · #2f4623
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f7eefa · #909a8b · #588c3a · #655f67 · #222c1d · #020002
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f6eff9 · #cec5d1 · #a198a6 · #291d2d · #07010b · #588c3a
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d6d3ae · #f46ef1 · #588c3a · #4e6e58 · #303257 · #22060f
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#addae8 · #ce67bb · #588c3a · #576983 · #454a64 · #05140d
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e9f3ff · #6c99d4 · #588c3a · #9c3d49 · #500216 · #00051d
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e1f6ff · #45a3c6 · #588c3a · #7d4892 · #471700 · #05000b
#709E57 · #88B073 · #A0C38F · #B8D5AB · #D1E8C7
#46742A · #345D19 · #234708 · #133200 · #081D00
#61894B · #68865A · #708267
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.