#74C365Mantis (#74C365) is a light, saturated green with an OKLCH hue of 141°, lightness 0.74 and chroma 0.151. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #74C365 |
|---|---|
| RGB | rgb(116, 195, 101) |
| HSL | hsl(110, 44%, 58%) |
| HSV | hsv(110, 48%, 76%) |
| CMYK | cmyk(41%, 0%, 48%, 24%) |
| CIE Lab | lab(72 -42.5 39.6) |
| OKLCH | oklch(0.744 0.151 141) |
Under warm 2700K interior light Mantis shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.7), so it is a lighting-stable choice.
#81be5c — ΔE 1.7, shifts subtly: leans toward yellow#7cc461 — ΔE 0.9, shifts subtly: leans toward yellow#74c365 — ΔE 0.0, is virtually unchanged#73c467 — ΔE 0.3, is virtually unchangedTest Mantis in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.16:1 and against black 9.74:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#d7ffd0 · #96df88 · #74c365 · #4a903d · #2a691d · #0b4500
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#77ecca · #6dd99b · #74c365 · #87a83c · #8f8d17 · #8e7300
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#74c365 · #519c9a · #428135 · #00615f · #0b4600 · #002726
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#c0d7bb · #74c365 · #b269c2 · #4f7648 · #34552d · #20351c
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f9edfb · #74c365 · #879584 · #5b545d · #1a2817 · #020003
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f7eff8 · #cfc5d1 · #a298a5 · #2a1d2c · #07010a · #74c365
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d6d7b2 · #74c365 · #8f9f71 · #c1479b · #393256 · #20050a
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#b2d9ee · #74c365 · #d76ab0 · #787598 · #2b3551 · #04110e
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ebf2ff · #74c365 · #6590da · #992631 · #4b000b · #000012
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e3f5ff · #74c365 · #279dcc · #7b3389 · #3d1700 · #050009
#88CD7B · #9BD790 · #AEE0A4 · #C1EAB9 · #D4F3CE
#5AA14C · #408034 · #28611C · #0F4303 · #022600
#82BF76 · #8FBA86 · #9AB595
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.