#6BC271Bermudagrass (#6BC271) is a light, saturated green with an OKLCH hue of 145°, lightness 0.74 and chroma 0.142. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #6BC271 |
|---|---|
| RGB | rgb(107, 194, 113) |
| HSL | hsl(124, 42%, 59%) |
| HSV | hsv(124, 45%, 76%) |
| CMYK | cmyk(45%, 0%, 42%, 24%) |
| CIE Lab | lab(71.5 -43.1 32.8) |
| OKLCH | oklch(0.739 0.142 145) |
Under warm 2700K interior light Bermudagrass shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.7), so it is a lighting-stable choice.
#79bd67 — ΔE 1.7, shifts subtly: leans toward yellow#74c36e — ΔE 1.0, shifts subtly: leans toward yellow#6bc271 — ΔE 0.0, is virtually unchanged#6ac373 — ΔE 0.3, is virtually unchangedTest Bermudagrass in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.19:1 and against black 9.58:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#d5ffd6 · #91e094 · #6bc271 · #43904a · #226a2b · #00450e
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#77e9d0 · #68d7a3 · #6bc271 · #7ea84a · #868d29 · #86740f
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#6bc271 · #53999b · #398040 · #005f61 · #00450e · #002526
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#d5ffd5 · #bdd5bd · #6bc271 · #b468b7 · #4e744f · #39523a
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f9edf9 · #6bc271 · #859485 · #5b535b · #182819 · #020002
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f8eef8 · #cfc5d0 · #a397a4 · #2b1d2b · #080109 · #6bc271
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ffeaff · #6bc271 · #b276b5 · #7c3380 · #3e0042 · #000200
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e1ceef · #6bc271 · #9890b1 · #ba5785 · #3a3048 · #0f0f03
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ecf2ff · #6bc271 · #6d8dd5 · #952b2a · #4a0004 · #000016
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e4f5ff · #6bc271 · #3b99ca · #7c3380 · #3a1900 · #050007
#81CC85 · #95D698 · #AAE0AB · #BEE9BE · #D1F3D2
#51A057 · #38803F · #206027 · #044310 · #002604
#7BBE7F · #8AB98B · #97B497
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.