#5CCD97Vegetation (#5CCD97) is a light, saturated green with an OKLCH hue of 160°, lightness 0.77 and chroma 0.131. It sits on the cool side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #5CCD97 |
|---|---|
| RGB | rgb(92, 205, 151) |
| HSL | hsl(151, 53%, 58%) |
| HSV | hsv(151, 55%, 80%) |
| CMYK | cmyk(55%, 0%, 26%, 20%) |
| CIE Lab | lab(74.9 -44.7 17.3) |
| OKLCH | oklch(0.768 0.131 160) |
Under warm 2700K interior light Vegetation shifts subtly: leans toward yellow-green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#6fc88c — ΔE 1.9, shifts subtly: leans toward yellow-green#67ce93 — ΔE 1.0, shifts subtly: leans toward yellow-green#5ccd97 — ΔE 0.0, is virtually unchanged#5ace99 — ΔE 0.3, is virtually unchangedTest Vegetation in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.97:1 and against black 10.63:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#d0ffe4 · #7be2ae · #5ccd97 · #299264 · #006b44 · #00442a
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#82f0ec · #67dfc4 · #5ccd97 · #6fb570 · #7b9b4e · #7e8334
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#5ccd97 · #63a0ac · #2a8a60 · #006675 · #004c30 · #002c34
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#c2dfce · #5ccd97 · #c670aa · #497e63 · #2e5d46 · #1e3c2d
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fbedf6 · #5ccd97 · #8b9d92 · #61585e · #172a20 · #020002
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#faeef5 · #d2c4cd · #a697a0 · #2d1c27 · #0a0106 · #5ccd97
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d3dbb6 · #5ccd97 · #d632a1 · #507251 · #3a3255 · #150623
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e7ccaf · #5ccd97 · #9b777d · #894b9f · #403146 · #0b1404
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eff1ff · #5ccd97 · #8b90d7 · #953b17 · #461100 · #010010
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e8f3ff · #5ccd97 · #649cd6 · #893972 · #371f00 · #060003
#76D5A5 · #8DDDB3 · #A3E5C1 · #B8EDD0 · #CDF5DE
#41A979 · #25875C · #006641 · #00452A · #002615
#75C89D · #89C3A3 · #9ABDA9
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.