#93C572Pistachio (#93C572) is a light, soft green with an OKLCH hue of 134°, lightness 0.77 and chroma 0.124. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #93C572 |
|---|---|
| RGB | rgb(147, 197, 114) |
| HSL | hsl(96, 42%, 61%) |
| HSV | hsv(96, 42%, 77%) |
| CMYK | cmyk(25%, 0%, 42%, 23%) |
| CIE Lab | lab(74.4 -31.2 36.4) |
| OKLCH | oklch(0.769 0.124 134) |
Under warm 2700K interior light Pistachio shifts subtly: drifts toward yellow-green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.6), so it is a lighting-stable choice.
#9dc068 — ΔE 1.6, shifts subtly: drifts toward yellow-green#9ac66e — ΔE 1.0, shifts subtly: drifts toward yellow-green#93c572 — ΔE 0.0, is virtually unchanged#93c674 — ΔE 0.3, is virtually unchangedAgainst white it measures 2.01:1 and against black 10.47:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#dbffc5 · #aada8b · #93c572 · #618b43 · #406525 · #224204
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#9befcc · #92dba1 · #93c572 · #9bab53 · #9c913d · #967831
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#93c572 · #67a29a · #5d8442 · #006961 · #284a08 · #002e2a
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#cdddc4 · #93c572 · #9f6cb8 · #425a33 · #283c19 · #121e09
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f6effa · #93c572 · #929b8c · #5e5961 · #20291a · #020103
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f6eff9 · #cdc5d2 · #a198a6 · #281d2e · #07010b · #93c572
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dbd8b2 · #93c572 · #c052a5 · #51725c · #373357 · #1e050a
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f9edff · #93c572 · #908fd3 · #893a6c · #221955 · #060003
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e9f3ff · #93c572 · #6c9bd4 · #943846 · #4c0115 · #00051a
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e0f6ff · #93c572 · #48a5c5 · #74438b · #441400 · #040009
#A2CE85 · #B0D798 · #BFE0AB · #CEE9BE · #DDF2D1
#75A257 · #59803E · #3E6025 · #25420C · #0F2500
#9AC282 · #A2BE90 · #A8BA9E
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.