#7BC027Kiwi Crush (#7BC027) is a light, saturated yellow-green with an OKLCH hue of 132°, lightness 0.73 and chroma 0.189. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #7BC027 |
|---|---|
| RGB | rgb(123, 192, 39) |
| HSL | hsl(87, 66%, 45%) |
| HSV | hsv(87, 80%, 75%) |
| CMYK | cmyk(36%, 0%, 80%, 25%) |
| CIE Lab | lab(70.9 -44.4 64.1) |
| OKLCH | oklch(0.734 0.189 132) |
Under warm 2700K interior light Kiwi Crush shifts subtly: leans toward yellow; in north-facing or shaded light it shifts subtly: drifts toward green. Overall drift across common illuminants is small (max ΔE ≈ 1.6), so it is a lighting-stable choice.
#87bb19 — ΔE 1.6, shifts subtly: leans toward yellow#83c121 — ΔE 0.9, shifts subtly: leans toward yellow#7bc027 — ΔE 0.0, is virtually unchanged#7ac129 — ΔE 0.3, shifts subtly: drifts toward greenTest Kiwi Crush in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.23:1 and against black 9.41:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#dcffc1 · #9fe061 · #7bc027 · #578f00 · #3d6700 · #244100
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#5fedb5 · #65d97b · #7bc027 · #93a100 · #978500 · #926c00
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#7bc027 · #379d91 · #4b7d00 · #005f56 · #234000 · #002420
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#d7ffb7 · #bfd4ae · #7bc027 · #a557d1 · #355316 · #20330c
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f8edff · #7bc027 · #85937b · #59525e · #1b270f · #020004
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f5effa · #cdc6d2 · #a098a6 · #281e2e · #06010b · #7bc027
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#adddd9 · #7bc027 · #74a377 · #4329ef · #382f50 · #04121e
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f3ccbb · #7bc027 · #8f8bb8 · #ab5184 · #38344f · #141004
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e9f3ff · #7bc027 · #3d90e6 · #a0003a · #480015 · #000619
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#dff6ff · #7bc027 · #009dc1 · #77249f · #411000 · #05000d
#8DCB50 · #9FD56F · #B1DF8B · #C4E9A5 · #D6F3BF
#619E01 · #4B7D00 · #365D00 · #233F00 · #112300
#86BC52 · #90B76E · #99B386
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.