#95C703Bergamot (#95C703) is a light, saturated yellow-green with an OKLCH hue of 126°, lightness 0.77 and chroma 0.194. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #95C703 |
|---|---|
| RGB | rgb(149, 199, 3) |
| HSL | hsl(75, 97%, 40%) |
| HSV | hsv(75, 98%, 78%) |
| CMYK | cmyk(25%, 0%, 98%, 22%) |
| CIE Lab | lab(74.3 -38.6 73.9) |
| OKLCH | oklch(0.766 0.194 126) |
Under warm 2700K interior light Bergamot shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.7), so it is a lighting-stable choice.
#9fc200 — ΔE 1.7, shifts subtly: leans toward yellow#9cc800 — ΔE 0.9, shifts subtly: leans toward yellow#95c703 — ΔE 0.0, is virtually unchanged#95c809 — ΔE 0.3, is virtually unchangedTest Bergamot in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.01:1 and against black 10.45:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#e1ffb2 · #addd48 · #95c703 · #678b00 · #496400 · #2d3f00
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#76f7b2 · #80e175 · #95c703 · #a7a700 · #a98b00 · #a47100
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#95c703 · #45a794 · #628400 · #006959 · #334700 · #002d25
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#cddeb4 · #95c703 · #9551d1 · #435b07 · #2a3b00 · #131e00
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f6eeff · #95c703 · #919c82 · #5e5865 · #20290f · #020004
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f4effa · #ccc6d3 · #9f98a7 · #261e2f · #06010c · #95c703
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#acddd9 · #95c703 · #7faa75 · #652ff0 · #273861 · #031020
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e8cae7 · #95c703 · #827eab · #99497f · #2b3755 · #04140b
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e7f4ff · #95c703 · #2e9ef0 · #a9004b · #4c001d · #000614
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#dcf8ff · #95c703 · #00a9c6 · #762eaf · #490b00 · #060012
#A3D047 · #B1D969 · #C0E286 · #CEEBA1 · #DDF4BC
#79A300 · #5F8000 · #455F00 · #2D4000 · #172300
#9BC44E · #A2C06F · #A8BB8B
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.