#58BC08Frog (#58BC08) is a light, vivid green with an OKLCH hue of 137°, lightness 0.71 and chroma 0.211. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #58BC08 |
|---|---|
| RGB | rgb(88, 188, 8) |
| HSL | hsl(93, 92%, 38%) |
| HSV | hsv(93, 96%, 74%) |
| CMYK | cmyk(53%, 0%, 96%, 26%) |
| CIE Lab | lab(68.1 -55.1 67.1) |
| OKLCH | oklch(0.707 0.211 137) |
Under warm 2700K interior light Frog shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.8), so it is a lighting-stable choice.
#68b700 — ΔE 1.8, shifts subtly: leans toward yellow#62bd00 — ΔE 0.9, shifts subtly: leans toward yellow#58bc08 — ΔE 0.0, is virtually unchanged#57bd0d — ΔE 0.3, is virtually unchangedTest Frog in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.44:1 and against black 8.61:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#d9ffca · #8ce462 · #58bc08 · #429300 · #2d6a00 · #1a4300
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#0ee7b3 · #2ad476 · #58bc08 · #819b00 · #887f00 · #846600
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#62d6cd · #58bc08 · #47990a · #00756f · #245700 · #003835
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#c3f9ac · #b0cda5 · #58bc08 · #af4ad0 · #416d2d · #2e4a21
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#faecff · #58bc08 · #7a8b72 · #554c59 · #14260c · #020004
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f6eff9 · #cec5d1 · #a298a5 · #291d2d · #07010a · #58bc08
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#faecff · #58bc08 · #ad5fc7 · #7b009a · #360046 · #000200
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f0cab8 · #58bc08 · #8c82b4 · #a44e85 · #343049 · #131104
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eaf3ff · #58bc08 · #3884e8 · #98002c · #45000e · #000520
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e1f6ff · #58bc08 · #0092bc · #7b009a · #3b1200 · #05000a
#71C845 · #89D367 · #A0DE85 · #B6E9A1 · #CDF4BD
#469A00 · #367A00 · #265B00 · #173E00 · #092300
#6CB746 · #7CB264 · #8AAC7D
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.