#FFFFE0Light Yellow (#FFFFE0) is a near-white, muted yellow with an OKLCH hue of 107°, lightness 0.99 and chroma 0.04. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #FFFFE0 |
|---|---|
| RGB | rgb(255, 255, 224) |
| HSL | hsl(60, 100%, 94%) |
| HSV | hsv(60, 12%, 100%) |
| CMYK | cmyk(0%, 0%, 12%, 0%) |
| CIE Lab | lab(99.3 -5.1 14.8) |
| OKLCH | oklch(0.992 0.040 107) |
Under warm 2700K interior light Light Yellow shifts subtly: leans toward orange, reads darker; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.1), so it is a lighting-stable choice.
#fff8d1 — ΔE 2.1, shifts subtly: leans toward orange, reads darker#ffffdb — ΔE 0.6, is virtually unchanged#ffffe0 — ΔE 0.0, is virtually unchanged#ffffe3 — ΔE 0.4, is virtually unchangedAgainst white it measures 1.02:1 and against black 20.63:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffffe0 · #cbcbb0 · #a4a48c · #7e7e69 · #5b5a48 · #39392a
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffffe0 · #fae8b2 · #f0cfa3 · #e2b898 · #d1a290 · #be8f88
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ffffe0 · #a8c3b3 · #a09f71 · #558c6e · #65643a · #324d3e
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffffe0 · #d9d9c9 · #b7b799 · #95957a · #635f8f · #373727
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ffffe0 · #dedee5 · #9d9d92 · #5d5d62 · #27271d · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ffffe0 · #cacabd · #9d9d8e · #242311 · #040400 · #cfca4e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ffffe0 · #cdecd1 · #84b982 · #c635f4 · #2c3d5d · #200611
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ffffe0 · #dddded · #849ec1 · #6f507a · #102645 · #030004
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffffe0 · #d0e2ea · #74a4b9 · #7d4c66 · #3c182c · #00050b
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffffe0 · #cee4e4 · #6ea8a9 · #5b5786 · #40171b · #010007
#FDFDE2 · #FCFCE5 · #FAFAE7 · #F9F9E9 · #F7F7EB
#CFCFB4 · #A2A289 · #767661 · #4E4E3C · #29281A
#FEFEE6 · #FEFEEC · #FDFDF2
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.