#FFFFE5La Luna (#FFFFE5) is a near-white, muted yellow with an OKLCH hue of 107°, lightness 0.99 and chroma 0.034. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #FFFFE5 |
|---|---|
| RGB | rgb(255, 255, 229) |
| HSL | hsl(60, 100%, 95%) |
| HSV | hsv(60, 10%, 100%) |
| CMYK | cmyk(0%, 0%, 10%, 0%) |
| CIE Lab | lab(99.4 -4.3 12.4) |
| OKLCH | oklch(0.993 0.034 107) |
Under warm 2700K interior light La Luna shifts subtly: leans toward orange, reads darker; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2), so it is a lighting-stable choice.
#fff9d6 — ΔE 2.0, shifts subtly: leans toward orange, reads darker#ffffe0 — ΔE 0.7, is virtually unchanged#ffffe5 — ΔE 0.0, is virtually unchanged#ffffe8 — ΔE 0.4, is virtually unchangedTest La Luna in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.02:1 and against black 20.69:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffffe5 · #cbcbb4 · #a4a48f · #7e7e6c · #5a5a4b · #39392c
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffffe5 · #fbe8b2 · #f0d0a3 · #e2b898 · #d2a390 · #be8f89
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ffffe5 · #a8c3b3 · #a0a071 · #558c6e · #65643b · #324d3e
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffffe5 · #dadac9 · #b8b899 · #95957b · #635f8f · #383728
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ffffe5 · #dedee6 · #9d9d92 · #5d5d63 · #27271d · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ffffe5 · #cacabf · #9d9d90 · #242314 · #040400 · #cfca4e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ffffe5 · #deddee · #9997c0 · #5b5786 · #252144 · #010100
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ffffe5 · #deddee · #859ec2 · #6f507a · #102745 · #030004
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffffe5 · #d0e2eb · #74a4b9 · #7d4c66 · #3c182d · #00050b
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffffe5 · #cfe4e4 · #6ea8a9 · #5b5786 · #40181b · #010007
#FDFDE7 · #FCFCE8 · #FAFAEA · #F9F9EB · #F7F7ED
#CFCFB8 · #A2A28D · #767665 · #4E4E3F · #28281C
#FEFFEA · #FEFEEF · #FEFEF4
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.