#F6FFE8Milk Foam (#F6FFE8) is a near-white, muted yellow-green with an OKLCH hue of 124°, lightness 0.99 and chroma 0.032. It sits on the transitional side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #F6FFE8 |
|---|---|
| RGB | rgb(246, 255, 232) |
| HSL | hsl(83, 100%, 95%) |
| HSV | hsv(83, 9%, 100%) |
| CMYK | cmyk(4%, 0%, 9%, 0%) |
| CIE Lab | lab(98.8 -6.9 10) |
| OKLCH | oklch(0.987 0.032 124) |
Under warm 2700K interior light Milk Foam shifts subtly: drifts toward yellow; in north-facing or shaded light it shifts subtly: leans toward green. Overall drift across common illuminants is small (max ΔE ≈ 2.2), so it is a lighting-stable choice.
#fff9d8 — ΔE 2.2, shifts subtly: drifts toward yellow#ffffe3 — ΔE 1.3, shifts subtly: drifts toward yellow#f6ffe8 — ΔE 0.0, is virtually unchanged#f6ffeb — ΔE 0.4, shifts subtly: leans toward greenTest Milk Foam in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.03:1 and against black 20.39:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#f6ffe8 · #c5cdb9 · #9ea593 · #797f70 · #565b4e · #363a2f
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f6ffe8 · #ebebb4 · #e3d3a0 · #d8bb91 · #cba586 · #ba8f7d
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f6ffe8 · #a1c2b9 · #92a276 · #468b7b · #58663f · #2b4c44
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f6ffe8 · #d3d9c9 · #adb89c · #816c9b · #4d563f · #323728
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f6ffe8 · #dedbe3 · #989c92 · #5e5c61 · #24281e · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f6ffe8 · #c7cbc1 · #999e93 · #202417 · #020400 · #afd462
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f6ffe8 · #e0daea · #a392b9 · #675280 · #2d1d3f · #000100
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f6ffe8 · #e0daea · #8f98c0 · #774d6e · #1d2345 · #030003
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f6ffe8 · #d1dfeb · #7b9fbe · #814b58 · #3f1722 · #00040f
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f6ffe8 · #cde1e6 · #6fa5b2 · #675280 · #401910 · #020006
#F6FEE9 · #F5FCEB · #F5FBEC · #F4F9ED · #F4F8EF
#C8D0BB · #9BA290 · #717767 · #494E41 · #25291E
#F7FEEC · #F8FDF0 · #F9FCF4
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.