#FFFCDACheesecake (#FFFCDA) is a near-white, muted yellow with an OKLCH hue of 103°, lightness 0.98 and chroma 0.044. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #FFFCDA |
|---|---|
| RGB | rgb(255, 252, 218) |
| HSL | hsl(55, 100%, 93%) |
| HSV | hsv(55, 15%, 100%) |
| CMYK | cmyk(0%, 1%, 15%, 0%) |
| CIE Lab | lab(98.4 -4.5 16.7) |
| OKLCH | oklch(0.985 0.044 103) |
Under warm 2700K interior light Cheesecake shifts subtly: leans toward orange, reads darker; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2), so it is a lighting-stable choice.
#fff6cb — ΔE 2.0, shifts subtly: leans toward orange, reads darker#fffdd5 — ΔE 0.8, shifts subtly: leans toward green#fffcda — ΔE 0.0, is virtually unchanged#fffddd — ΔE 0.4, is virtually unchangedTest Cheesecake in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.04:1 and against black 20.19:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#fffcda · #cecbad · #a6a489 · #807e67 · #5c5a46 · #3a3928
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#fffcda · #fbe4b0 · #f0cca2 · #e1b598 · #d0a090 · #bb8c89
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#fffcda · #a7c0af · #a19c6e · #568968 · #656137 · #324a3a
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#fffcda · #d8d7c6 · #b7b496 · #949278 · #5c5d8c · #363525
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fffcda · #dbdbe3 · #9b9b90 · #5c5c61 · #28271c · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#fffcda · #cccbbd · #a19f8f · #2b2914 · #0a0700 · #d5c84e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#fffcda · #d0eed1 · #89b27b · #b72ef3 · #2e3a64 · #1d0515
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#fffcda · #dadbeb · #809dbf · #6c507b · #0c2744 · #020005
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fffcda · #cde0e7 · #70a3b5 · #7a4b68 · #3b182e · #000408
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fffcda · #cce1e0 · #6da6a4 · #575786 · #40171d · #010007
#FEFBDD · #FCFAE0 · #FBF9E3 · #F9F8E6 · #F8F7E9
#D0CDAF · #A2A085 · #77755E · #4F4D39 · #292818
#FEFCE1 · #FDFBE8 · #FCFBEF
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.