#DB95ABFoxy Pink (#DB95AB) is a light, soft pink with an OKLCH hue of 359°, lightness 0.75 and chroma 0.088. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #DB95AB |
|---|---|
| RGB | rgb(219, 149, 171) |
| HSL | hsl(341, 49%, 72%) |
| HSV | hsv(341, 32%, 86%) |
| CMYK | cmyk(0%, 32%, 22%, 14%) |
| CIE Lab | lab(69.1 29.4 -0.7) |
| OKLCH | oklch(0.745 0.088 359) |
Under warm 2700K interior light Foxy Pink shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.6), so it is a lighting-stable choice.
#df91a0 — ΔE 1.6, shifts subtly: leans toward red#e095a7 — ΔE 1.0, shifts subtly: leans toward red#db95ab — ΔE 0.0, is virtually unchanged#db96ad — ΔE 0.3, is virtually unchangedTest Foxy Pink in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.36:1 and against black 8.9:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffecf1 · #f6b4c8 · #db95ab · #a4687b · #7b4758 · #542837
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#fdc3b7 · #eeabaf · #db95ab · #be86a7 · #a078a0 · #836a94
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#db95ab · #a48776 · #945d6f · #7a4422 · #562838 · #321909
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#dfc9cf · #db95ab · #449c8c · #825f6a · #60424b · #3c292f
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#eaf5f2 · #db95ab · #9a8c90 · #525957 · #2c1f23 · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e8f5f2 · #becdca · #90a29d · #132a25 · #000805 · #db95ab
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dbdcb6 · #db95ab · #a989a7 · #258b82 · #2c3b2a · #18051a
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e0f8f2 · #db95ab · #729d79 · #00636f · #002d0d · #000304
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eff5e1 · #db95ab · #8c9766 · #1c5d83 · #00273d · #010100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f9f1de · #db95ab · #a28f5e · #006658 · #152047 · #000302
#E2A4B7 · #EAB3C3 · #F1C1CF · #F7D0DC · #FEDFE8
#B6788C · #935C6E · #704151 · #502836 · #31111D
#D29AAB · #C8A0AC · #BFA4AC
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.