#EB9A9DPink Floyd (#EB9A9D) is a light, soft red with an OKLCH hue of 17°, lightness 0.77 and chroma 0.097. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #EB9A9D |
|---|---|
| RGB | rgb(235, 154, 157) |
| HSL | hsl(358, 67%, 76%) |
| HSV | hsv(358, 34%, 92%) |
| CMYK | cmyk(0%, 34%, 33%, 8%) |
| CIE Lab | lab(71.7 30.7 11) |
| OKLCH | oklch(0.768 0.097 17) |
Under warm 2700K interior light Pink Floyd shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.6), so it is a lighting-stable choice.
#ef9592 — ΔE 1.6, shifts subtly: leans toward orange#f09a9a — ΔE 0.9, shifts subtly: leans toward orange#eb9a9d — ΔE 0.0, is virtually unchanged#eb9b9f — ΔE 0.3, is virtually unchangedTest Pink Floyd in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.18:1 and against black 9.64:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffeded · #ffb1b4 · #eb9a9d · #aa676a · #804549 · #58262a
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffceb4 · #fab2a2 · #eb9a9d · #d0899d · #b37a9a · #966c93
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#eb9a9d · #a99075 · #a26265 · #7d4f0a · #622c30 · #362004
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#eacfd0 · #eb9a9d · #34a4a6 · #8e6466 · #6a4748 · #452e2e
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e8f5f5 · #eb9a9d · #a39393 · #555d5d · #302121 · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e6f5f5 · #bbcdcd · #8ca0a1 · #0b2728 · #000506 · #eb9a9d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ded7b1 · #eb9a9d · #b890a9 · #1f7b99 · #2b3a59 · #041125
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#dcf8f9 · #eb9a9d · #66a78e · #006583 · #002e20 · #00050b
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e9f7e4 · #eb9a9d · #81a374 · #365c91 · #06244d · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f4f4dd · #eb9a9d · #9d9b62 · #00696b · #241c4b · #000202
#F0A8AA · #F6B6B8 · #FAC4C5 · #FFD2D3 · #FFE2E2
#C47C7F · #9E5E61 · #794346 · #57282C · #361014
#E0A0A2 · #D5A6A7 · #C9ABAB
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.