#CF929ARosetti (#CF929A) is a light, soft pink with an OKLCH hue of 10°, lightness 0.72 and chroma 0.074. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #CF929A |
|---|---|
| RGB | rgb(207, 146, 154) |
| HSL | hsl(352, 39%, 69%) |
| HSV | hsv(352, 29%, 81%) |
| CMYK | cmyk(0%, 29%, 26%, 19%) |
| CIE Lab | lab(66.6 24.2 5) |
| OKLCH | oklch(0.722 0.074 10) |
Under warm 2700K interior light Rosetti shifts subtly: drifts toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.5), so it is a lighting-stable choice.
#d38e90 — ΔE 1.5, shifts subtly: drifts toward red#d49297 — ΔE 0.9, shifts subtly: leans toward orange#cf929a — ΔE 0.0, is virtually unchanged#cf939c — ΔE 0.3, is virtually unchangedTest Rosetti in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.55:1 and against black 8.23:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffedee · #f1b8bf · #cf929a · #a16c73 · #784a51 · #522a31
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#edbfad · #e0a8a1 · #cf929a · #b58195 · #9b728e · #806483
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#cf929a · #988270 · #8a5a61 · #6a431e · #4d252c · #281605
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffe4e7 · #d6c2c4 · #cf929a · #47928e · #775b5f · #534042
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#eaf4f3 · #cf929a · #928687 · #4e5454 · #2a1e20 · #000202
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e9f5f4 · #bfcccb · #91a09f · #152827 · #000706 · #cf929a
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#c8dbb9 · #cf929a · #9c7d97 · #217e8e · #2a3744 · #1e0517
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e2f7f5 · #cf929a · #69957d · #115c70 · #002a18 · #000408
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#edf5e6 · #cf929a · #7d916b · #31557b · #05233f · #000100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f5f3e2 · #cf929a · #928b60 · #04605c · #1d1d3f · #000202
#D8A1A8 · #E1B1B6 · #EAC0C5 · #F2D0D4 · #FBE0E3
#AC767D · #8B5B61 · #6A4147 · #4C292E · #2F1217
#C7969C · #BE9B9F · #B59FA1
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.