#D28CA7Kiss (#D28CA7) is a light, soft pink with an OKLCH hue of 355°, lightness 0.72 and chroma 0.091. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #D28CA7 |
|---|---|
| RGB | rgb(210, 140, 167) |
| HSL | hsl(337, 44%, 69%) |
| HSV | hsv(337, 33%, 82%) |
| CMYK | cmyk(0%, 33%, 20%, 18%) |
| CIE Lab | lab(65.9 30.4 -3.3) |
| OKLCH | oklch(0.718 0.091 355) |
Under warm 2700K interior light Kiss shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.6), so it is a lighting-stable choice.
#d6889c — ΔE 1.6, shifts subtly: leans toward red#d78ca4 — ΔE 0.9, shifts subtly: leans toward red#d28ca7 — ΔE 0.0, is virtually unchanged#d28da9 — ΔE 0.3, is virtually unchangedTest Kiss in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.61:1 and against black 8.05:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffecf2 · #f5b4cc · #d28ca7 · #a5677f · #7b465b · #54273a
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f5b9b1 · #e5a2aa · #d28ca7 · #b47da3 · #96709b · #79638f
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#debbab · #d28ca7 · #ab7288 · #935738 · #6c3b4f · #472a1b
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffe1ec · #d6c0c8 · #d28ca7 · #3b947f · #785864 · #533e45
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#eaf5f1 · #d28ca7 · #928489 · #4d5452 · #2a1d22 · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e8f5f1 · #bfcec9 · #91a29d · #142b25 · #000905 · #d28ca7
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#cfd7b2 · #d28ca7 · #9d82a0 · #22848b · #2b3b2e · #1b061d
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e0f8f1 · #d28ca7 · #6d956d · #005e66 · #012a05 · #000304
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f1f4e0 · #d28ca7 · #878e5a · #04597d · #002538 · #010100
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#faf1de · #d28ca7 · #9d8554 · #00614f · #0e1e46 · #000402
#DB9CB4 · #E4ACC1 · #ECBDCE · #F4CDDB · #FCDEE8
#AF7189 · #8D566C · #6C3D50 · #4D2536 · #300F1E
#C992A6 · #C097A6 · #B69CA5
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.