#007744Succulents (#007744) is a mid-tone, soft green with an OKLCH hue of 156°, lightness 0.5 and chroma 0.122. It sits on the cool side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #007744 |
|---|---|
| RGB | rgb(0, 119, 68) |
| HSL | hsl(154, 100%, 23%) |
| HSV | hsv(154, 100%, 47%) |
| CMYK | cmyk(100%, 0%, 43%, 53%) |
| CIE Lab | lab(43.7 -41.4 20.2) |
| OKLCH | oklch(0.500 0.122 156) |
Under warm 2700K interior light Succulents shifts subtly: leans toward yellow-green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.3), so it is a lighting-stable choice.
#22743e — ΔE 1.3, shifts subtly: leans toward yellow-green#157842 — ΔE 0.7, shifts subtly: leans toward yellow-green#007744 — ΔE 0.0, is virtually unchanged#007845 — ΔE 0.3, is virtually unchangedTest Succulents in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 5.64:1 and against black 3.72:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#86c99f · #56a475 · #007744 · #005931 · #00341a · #001305
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#2e9991 · #02896d · #007744 · #2c611e · #384a00 · #373500
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#8acbd4 · #00b3c5 · #528b93 · #007744 · #005730 · #00381d
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#a8d4b7 · #c87bb7 · #007744 · #354b3d · #01321a · #001507
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#faeef6 · #aabbaf · #837a80 · #007744 · #3e4f44 · #020002
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f9eef6 · #d1c4ce · #a597a1 · #2d1c29 · #090107 · #007744
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d4d8b3 · #90be83 · #f64b7e · #007744 · #5e466d · #220803
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ffebf9 · #c5a6e8 · #b85b73 · #007744 · #583977 · #0f0002
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eef1ff · #a4b1f4 · #ba6048 · #007744 · #78321f · #01000f
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e7f4ff · #80bcf1 · #a95f99 · #007744 · #6c3e00 · #050004
#3B8D5E · #5FA279 · #81B895 · #A2CFB1 · #C3E6CE
#006337 · #004F2B · #003D20 · #002B15 · #001A0A
#2C734B · #406F52 · #4F6B59
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.