#1B6634Bucolic (#1B6634) is a dark, soft green with an OKLCH hue of 150°, lightness 0.45 and chroma 0.108. It sits on the cool side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #1B6634 |
|---|---|
| RGB | rgb(27, 102, 52) |
| HSL | hsl(140, 58%, 25%) |
| HSV | hsv(140, 74%, 40%) |
| CMYK | cmyk(74%, 0%, 49%, 60%) |
| CIE Lab | lab(37.8 -34.8 21.8) |
| OKLCH | oklch(0.452 0.108 150) |
Under warm 2700K interior light Bucolic shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#29632f — ΔE 1.2, shifts subtly: leans toward yellow#236632 — ΔE 0.5, shifts subtly: leans toward yellow#1b6634 — ΔE 0.0, is virtually unchanged#1a6735 — ΔE 0.3, is virtually unchangedTest Bucolic in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 7.01:1 and against black 3:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#83b78e · #579265 · #1b6634 · #004b1f · #00270c · #000800
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#32887c · #1c785a · #1b6634 · #2d5110 · #323b00 · #2d2800
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#81babf · #14a3ac · #4a7c80 · #1b6634 · #064820 · #002b0e
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#c484bd · #687b6b · #1b6634 · #1f4128 · #06240f · #000901
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f8eef7 · #a5b2a7 · #736d73 · #1b6634 · #344237 · #020002
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f8eef7 · #d0c5cf · #a497a2 · #2c1c2a · #090108 · #1b6634
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d4d8b3 · #96b780 · #bb2eee · #1b6634 · #3a406d · #0a0628
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ffeafc · #b7a2dd · #a1526c · #1b6634 · #463066 · #0f0003
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#edf2ff · #99ace6 · #a55548 · #1b6634 · #65271e · #00000d
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e6f4ff · #7bb6e0 · #92568d · #1b6634 · #5d3100 · #040004
#417E50 · #62966E · #83AE8B · #A4C8AA · #C5E1CA
#0F5629 · #03461E · #003614 · #00270C · #001905
#2E633C · #3C6044 · #465C4B
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.