#FB2943Strawberry (#FB2943) is a mid-tone, vivid red with an OKLCH hue of 22°, lightness 0.64 and chroma 0.238. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #FB2943 |
|---|---|
| RGB | rgb(251, 41, 67) |
| HSL | hsl(353, 96%, 57%) |
| HSV | hsv(353, 84%, 98%) |
| CMYK | cmyk(0%, 84%, 73%, 2%) |
| CIE Lab | lab(54.6 75.5 39.8) |
| OKLCH | oklch(0.638 0.238 22) |
Under warm 2700K interior light Strawberry is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.8), so it is a lighting-stable choice.
#fb1f3d — ΔE 0.8, is virtually unchanged#ff2641 — ΔE 0.8, is virtually unchanged#fb2943 — ΔE 0.0, is virtually unchanged#fc2a44 — ΔE 0.2, is virtually unchangedTest Strawberry in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.82:1 and against black 5.5:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffdad7 · #ff9c99 · #fb2943 · #d2002e · #95001d · #5c000e
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ff8f38 · #ff6632 · #fb2943 · #da1a65 · #b51878 · #8f1980
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d69e4d · #fb2943 · #c91d33 · #704900 · #6d0013 · #2d1a00
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00deeb · #fb2943 · #905a58 · #85252a · #5e0511 · #320004
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#d9f9fb · #c39c9a · #fb2943 · #607677 · #472221 · #000203
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e6f5f6 · #bccdce · #8da1a2 · #0c282a · #000607 · #fb2943
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dbd9b3 · #c98fb1 · #fb2943 · #196782 · #2e3d69 · #030f28
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#cffcff · #00c39d · #fb2943 · #007ba7 · #00382b · #00040a
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#d7ffd3 · #53c34a · #fb2943 · #1260f8 · #002477 · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f2f7c0 · #aab000 · #fb2943 · #008188 · #37007b · #000203
#FF5D62 · #FF8381 · #FFA29E · #FFBEBA · #FFD8D6
#D50830 · #AB0024 · #830018 · #5C000E · #390005
#E74F55 · #D16665 · #BA7674
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.