#FF2244Red Flag (#FF2244) is a mid-tone, vivid red with an OKLCH hue of 21°, lightness 0.64 and chroma 0.245. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #FF2244 |
|---|---|
| RGB | rgb(255, 34, 68) |
| HSL | hsl(351, 100%, 57%) |
| HSV | hsv(351, 87%, 100%) |
| CMYK | cmyk(0%, 87%, 73%, 0%) |
| CIE Lab | lab(54.9 77.8 39.8) |
| OKLCH | oklch(0.642 0.245 21) |
Under warm 2700K interior light Red Flag is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.8), so it is a lighting-stable choice.
#ff163e — ΔE 0.8, is virtually unchanged#ff1d42 — ΔE 0.3, is virtually unchanged#ff2244 — ΔE 0.0, is virtually unchanged#ff2345 — ΔE 0.1, is virtually unchangedTest Red Flag in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.77:1 and against black 5.56:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffdbd9 · #ff9e9c · #ff2244 · #d40031 · #960020 · #5d000f
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ff9140 · #ff6839 · #ff2244 · #dd1367 · #b8137b · #911784
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d99f4a · #ff2244 · #cc1734 · #724900 · #6f0014 · #2f1b00
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00deea · #ff2244 · #925b59 · #88242b · #600312 · #340004
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#d8f9fb · #c59d9b · #ff2244 · #607779 · #492222 · #000203
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e6f5f6 · #bccdce · #8da1a2 · #0c282a · #000607 · #ff2244
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d7d3ae · #c68aad · #ff2244 · #186580 · #2c406e · #031029
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#cefcff · #00c49d · #ff2244 · #007ca8 · #00392b · #00050c
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#d7ffd1 · #54c545 · #ff2244 · #0160fd · #002674 · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f3f7be · #adb100 · #ff2244 · #008289 · #37007d · #000203
#FF5F65 · #FF8484 · #FFA3A0 · #FFBEBC · #FFD8D6
#D80032 · #AD0026 · #84001A · #5D000F · #390005
#EA4D56 · #D46566 · #BD7775
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.