Rage `#FF1133`

Rage (#FF1133) is a mid-tone, vivid red with an OKLCH hue of 24°, lightness 0.63 and chroma 0.252. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.

Color values

HEX	`#FF1133`
RGB	`rgb(255, 17, 51)`
HSL	`hsl(351, 100%, 53%)`
HSV	`hsv(351, 93%, 100%)`
CMYK	`cmyk(0%, 93%, 80%, 0%)`
CIE Lab	`lab(53.9 79.6 48.3)`
OKLCH	`oklch(0.634 0.252 24)`

How Rage behaves under real light

Under warm 2700K interior light Rage is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.6), so it is a lighting-stable choice.

Warm interior (2700K incandescent / warm LED): → #ff002d — ΔE 0.6, is virtually unchanged
Neutral LED (4000K task and retail lighting): → #ff0731 — ΔE 0.3, is virtually unchanged
Daylight (6500K standard daylight (reference)): → #ff1133 — ΔE 0.0, is virtually unchanged
Blue-sky shade (cool daylight (~10000K proxy)): → #ff1234 — ΔE 0.1, is virtually unchanged

Test Rage in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.

Contrast & accessibility

Against white it measures 3.9:1 and against black 5.38:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.

Colors that go with Rage

Tonal

One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.

#ffd8d4 · #ff9b94 · #ff1133 · #d10025 · #930017 · #5a0009

Analogous

The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.

#ff8d26 · #ff6421 · #ff1133 · #dd005e · #b80073 · #92077e

Shifted

The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.

#d69d42 · #ff1133 · #cc0625 · #6d4900 · #6c000d · #2b1a00

Contrast

One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.

#00deee · #ff1133 · #915854 · #871f23 · #5f000a · #310002

Quiet Support

The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.

#d8f9fd · #c49a96 · #ff1133 · #5d7577 · #48211f · #000304

Bright Accent

This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.

#e6f5f7 · #bccdcf · #8ea2a4 · #0f2a2d · #000709 · #ff1133

Complementary

The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.

#d2fbff · #00bcc9 · #ff1133 · #007f89 · #00363a · #080000

Split-complementary

The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.

#d2fbff · #00c19f · #ff1133 · #0079a8 · #00382c · #00060f

Triadic

Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.

#d6ffd4 · #3ec448 · #ff1133 · #1e59ff · #010095 · #000200

Tetradic

Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.

#f0f8be · #a5b000 · #ff1133 · #007f89 · #390078 · #000304

Tints, shades & muted variants

Tints

#FF5B5B · #FF827C · #FFA19A · #FFBDB8 · #FFD8D4

Shades

#D50026 · #AB001C · #820013 · #5C0009 · #390003

Muted

#EA484B · #D4625E · #BB746F

Using Rage

Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.