#94312FRipasso (#94312F) is a dark, saturated red with an OKLCH hue of 25°, lightness 0.46 and chroma 0.134. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #94312F |
|---|---|
| RGB | rgb(148, 49, 47) |
| HSL | hsl(1, 52%, 38%) |
| HSV | hsv(1, 68%, 58%) |
| CMYK | cmyk(0%, 67%, 68%, 42%) |
| CIE Lab | lab(35.4 41.4 24.2) |
| OKLCH | oklch(0.459 0.134 25) |
Under warm 2700K interior light Ripasso is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.6), so it is a lighting-stable choice.
#952e2b — ΔE 0.6, is virtually unchanged#97302d — ΔE 0.6, is virtually unchanged#94312f — ΔE 0.0, is virtually unchanged#943130 — ΔE 0.1, is virtually unchangedTest Ripasso in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 7.67:1 and against black 2.74:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#e3918a · #c06761 · #94312f · #731719 · #450004 · #160000
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#a86937 · #a04d2d · #94312f · #7b2139 · #61153d · #460c3b
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#cbab7c · #bf8512 · #8a6f46 · #94312f · #6c1c1c · #4b0005
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#2adced · #be8883 · #8d6e6b · #94312f · #5b2926 · #321513
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e4f6f8 · #c0a9a7 · #687475 · #94312f · #4f3937 · #000202
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e6f5f7 · #bccdcf · #8ea1a4 · #0f2a2d · #000709 · #94312f
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d4faff · #4ac3d0 · #00818b · #94312f · #00494f · #080000
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d4faff · #5ac6ac · #007bab · #94312f · #004b3d · #00050d
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e2fae2 · #83c285 · #4a6dbf · #94312f · #213b7b · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f0f6d7 · #adb866 · #00818b · #94312f · #452f74 · #000304
#AA514C · #BF7069 · #D38E88 · #E7ADA7 · #FBCCC7
#7E2524 · #691919 · #550D0F · #410205 · #2D0001
#893D39 · #7D4642 · #714D4A
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.