#FF4040Red Coral (#FF4040) is a mid-tone, vivid red with an OKLCH hue of 26°, lightness 0.66 and chroma 0.227. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #FF4040 |
|---|---|
| RGB | rgb(255, 64, 64) |
| HSL | hsl(0, 100%, 63%) |
| HSV | hsv(0, 75%, 100%) |
| CMYK | cmyk(0%, 75%, 75%, 0%) |
| CIE Lab | lab(57.4 70.5 44.8) |
| OKLCH | oklch(0.660 0.227 26) |
Under warm 2700K interior light Red Coral is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.9), so it is a lighting-stable choice.
#ff3939 — ΔE 0.9, is virtually unchanged#ff3e3e — ΔE 0.3, is virtually unchanged#ff4040 — ΔE 0.0, is virtually unchanged#ff4141 — ΔE 0.1, is virtually unchangedTest Red Coral in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.47:1 and against black 6.06:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffe4e1 · #ffa8a0 · #ff4040 · #d92028 · #a00012 · #660007
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ff9c46 · #ff763b · #ff4040 · #df3063 · #bc2976 · #97267f
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d8a858 · #ff4040 · #cd3131 · #755000 · #78000a · #332000
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00ddf1 · #ff4040 · #95625d · #8a302c · #631313 · #370505
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#daf8fc · #ff4040 · #906d69 · #384c4e · #32110f · #000304
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e6f5f7 · #bccdcf · #8ea1a4 · #0f2a2d · #000709 · #ff4040
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d4faff · #ff4040 · #008794 · #00525a · #002226 · #080000
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d4faff · #ff4040 · #008b75 · #004e70 · #00241c · #00040c
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#d5ffd7 · #ff4040 · #00902d · #1229bf · #040065 · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#eff8c4 · #ff4040 · #748000 · #00525a · #260050 · #000304
#FF6C63 · #FF8C82 · #FFA89F · #FFC2BB · #FFDAD6
#D8282D · #B20819 · #89000E · #600006 · #3B0002
#EB5C55 · #D67067 · #BF7E78
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.