#F95554Red Mana (#F95554) is a mid-tone, vivid red with an OKLCH hue of 25°, lightness 0.67 and chroma 0.2. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #F95554 |
|---|---|
| RGB | rgb(249, 85, 84) |
| HSL | hsl(0, 93%, 65%) |
| HSV | hsv(0, 66%, 98%) |
| CMYK | cmyk(0%, 66%, 66%, 2%) |
| CIE Lab | lab(59.2 62.3 35.6) |
| OKLCH | oklch(0.673 0.200 25) |
Under warm 2700K interior light Red Mana is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1), so it is a lighting-stable choice.
#fa4f4d — ΔE 1.0, is virtually unchanged#fd5451 — ΔE 0.8, is virtually unchanged#f95554 — ΔE 0.0, is virtually unchanged#fa5656 — ΔE 0.3, is virtually unchangedTest Red Mana in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.25:1 and against black 6.46:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffeae7 · #ffafa8 · #f95554 · #d43a3d · #a3101e · #6b000c
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffa25a · #ff7d4d · #f95554 · #da466d · #b83c7c · #953581
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d9ad69 · #f95554 · #c94342 · #7b5300 · #7e0010 · #372200
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00ddee · #f95554 · #966864 · #893936 · #621d1d · #380c0c
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ddf8fb · #f95554 · #92726f · #3c4e50 · #311412 · #000304
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e6f5f7 · #bccdcf · #8ea2a4 · #0f2a2d · #000709 · #f95554
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dce6c1 · #3fdecc · #f95554 · #9c6c92 · #394a36 · #190c04
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d8dab4 · #72b6d7 · #f95554 · #416e60 · #3d4a3b · #190a02
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#dafdd9 · #f95554 · #2c9236 · #1037b4 · #010069 · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f0f7c9 · #f95554 · #7a8300 · #00555c · #260054 · #000304
#FF736D · #FF9189 · #FFABA4 · #FFC4BE · #FFDBD7
#D23E3F · #AD262B · #890B17 · #62000A · #3B0003
#E76964 · #D47872 · #BF8580
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.