#039578Pool Table (#039578) is a mid-tone, soft blue-green with an OKLCH hue of 172°, lightness 0.6 and chroma 0.115. It sits on the cool side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #039578 |
|---|---|
| RGB | rgb(3, 149, 120) |
| HSL | hsl(168, 96%, 30%) |
| HSV | hsv(168, 98%, 58%) |
| CMYK | cmyk(98%, 0%, 19%, 42%) |
| CIE Lab | lab(54.9 -40.6 6) |
| OKLCH | oklch(0.597 0.115 172) |
Under warm 2700K interior light Pool Table shifts subtly: leans toward green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.6), so it is a lighting-stable choice.
#2e926f — ΔE 1.6, shifts subtly: leans toward green#1f9675 — ΔE 0.9, shifts subtly: leans toward green#039578 — ΔE 0.0, is virtually unchanged#00967a — ΔE 0.3, is virtually unchangedTest Pool Table in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.77:1 and against black 5.57:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#9aead0 · #66c3a8 · #039578 · #00765f · #004f3e · #002b21
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#56b4be · #2fa59d · #039578 · #2d8054 · #3c6a33 · #425415
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#5dccf4 · #76a6b8 · #039578 · #00745d · #005442 · #003342
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#cdf0e4 · #99d1bf · #8ca89e · #039578 · #8f4166 · #1b4b3e
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fbeef3 · #8d9f99 · #039578 · #6b6266 · #1b2e28 · #020001
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#fbeef3 · #d3c4ca · #a8969d · #2f1c24 · #0b0004 · #039578
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ffecf3 · #c783a0 · #039578 · #95466c · #4b0d2e · #000201
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f1cbb9 · #d67775 · #039578 · #6f6692 · #5c4a5e · #041013
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f2f0ff · #9c90cf · #039578 · #974f1b · #451d00 · #030010
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ebf2ff · #7c9ad4 · #039578 · #95466c · #382600 · #0b0003
#43A68B · #67B79F · #87C8B3 · #A5DAC8 · #C3EBDD
#007B62 · #00624E · #004A3A · #003327 · #001E16
#3B917A · #548C7B · #66887D
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.