#BA55D3Medium Orchid (#BA55D3) is a mid-tone, vivid purple with an OKLCH hue of 319°, lightness 0.63 and chroma 0.202. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #BA55D3 |
|---|---|
| RGB | rgb(186, 85, 211) |
| HSL | hsl(288, 59%, 58%) |
| HSV | hsv(288, 60%, 83%) |
| CMYK | cmyk(12%, 60%, 0%, 17%) |
| CIE Lab | lab(53.6 59.1 -47.4) |
| OKLCH | oklch(0.626 0.202 319) |
Under warm 2700K interior light Medium Orchid shifts subtly: drifts toward magenta; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.1), so it is a lighting-stable choice.
#bd53c6 — ΔE 2.1, shifts subtly: drifts toward magenta#be56cf — ΔE 1.1, shifts subtly: drifts toward magenta#ba55d3 — ΔE 0.0, is virtually unchanged#ba55d6 — ΔE 0.5, is virtually unchangedAgainst white it measures 3.94:1 and against black 5.33:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#f6d1ff · #e790fd · #ba55d3 · #9a3bb1 · #711685 · #450054
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#a89eff · #b279f4 · #ba55d3 · #b53fa0 · #a82b70 · #961b44
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#de8b96 · #ba55d3 · #9341a8 · #940036 · #540065 · #3c0010
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#fbeaff · #77e258 · #ba55d3 · #775d7e · #62326f · #3c2043
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e8f7e5 · #af9cb4 · #ba55d3 · #677164 · #38253d · #000200
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#edf5eb · #c3ccc1 · #96a093 · #1c2818 · #010700 · #ba55d3
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#aededc · #a0c451 · #ba55d3 · #7f60ab · #334532 · #1b0410
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#c7f7f3 · #c5d782 · #ba55d3 · #4e8172 · #3a4436 · #1f0512
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fff0d7 · #d49600 · #ba55d3 · #007d82 · #003537 · #100600
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffeee5 · #f28039 · #ba55d3 · #2b8300 · #003245 · #000200
#C770DD · #D489E8 · #E1A1F2 · #EEB9FB · #F6D4FF
#9C40B2 · #7F2C93 · #631775 · #480057 · #2C0037
#B064C4 · #A670B4 · #9B7AA4
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.