#9370DBMedium Purple (#9370DB) is a mid-tone, saturated purple with an OKLCH hue of 297°, lightness 0.63 and chroma 0.158. It sits on the cool side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #9370DB |
|---|---|
| RGB | rgb(147, 112, 219) |
| HSL | hsl(260, 60%, 65%) |
| HSV | hsv(260, 49%, 86%) |
| CMYK | cmyk(33%, 49%, 0%, 14%) |
| CIE Lab | lab(55 36.8 -50.1) |
| OKLCH | oklch(0.627 0.158 297) |
Under warm 2700K interior light Medium Purple shifts subtly: leans toward magenta; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.1), so it is a lighting-stable choice.
#986ece — ΔE 2.1, shifts subtly: leans toward magenta#9871d7 — ΔE 1.1, shifts subtly: leans toward magenta#9370db — ΔE 0.0, is virtually unchanged#9370de — ΔE 0.5, is virtually unchangedAgainst white it measures 3.76:1 and against black 5.58:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#e3daff · #c0a7ff · #9370db · #7756b8 · #54348b · #331260
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#86abfb · #8b8eef · #9370db · #9459b3 · #8d458b · #813364
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#cd93af · #9370db · #7457ae · #88195d · #3d1f6c · #370423
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f2eeff · #bed14a · #9370db · #6a6381 · #4f3e73 · #302745
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f0f4e3 · #a5a0b6 · #9370db · #6d6f64 · #2f293e · #010100
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f1f3e8 · #c8cbbd · #9b9e8e · #212411 · #030400 · #9370db
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f1f0ca · #70f879 · #9370db · #91609f · #3b4230 · #01082e
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#dad5af · #92c974 · #9370db · #897251 · #3a3e32 · #010a31
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffeee3 · #df8e4f · #9370db · #00806c · #00362d · #1a0600
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffedeb · #e88379 · #9370db · #6a7600 · #00353a · #010100
#A385E5 · #B39BEE · #C3B0F7 · #D4C5FF · #E5DCFF
#7A5ABA · #614499 · #4A2F7A · #341B5C · #1F0740
#9077CA · #8E7DB9 · #8B81A7
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.