#6F8D6AKashmir (#6F8D6A) is a mid-tone, muted green with an OKLCH hue of 141°, lightness 0.61 and chroma 0.062. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #6F8D6A |
|---|---|
| RGB | rgb(111, 141, 106) |
| HSL | hsl(111, 14%, 48%) |
| HSV | hsv(111, 25%, 55%) |
| CMYK | cmyk(21%, 0%, 25%, 45%) |
| CIE Lab | lab(55.6 -17.7 15.3) |
| OKLCH | oklch(0.611 0.062 141) |
Under warm 2700K interior light Kashmir shifts subtly: drifts toward yellow-green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.4), so it is a lighting-stable choice.
#768962 — ΔE 1.4, shifts subtly: drifts toward yellow-green#748e67 — ΔE 0.8, shifts subtly: leans toward yellow#6f8d6a — ΔE 0.0, is virtually unchanged#6f8e6c — ΔE 0.3, is virtually unchangedTest Kashmir in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.69:1 and against black 5.69:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#cbe3c6 · #a1bc9c · #6f8d6a · #567151 · #364e32 · #182d15
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#82b4a4 · #73a285 · #6f8d6a · #68794b · #636437 · #5b4f28
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#85d1ce · #87a9a8 · #6f8d6a · #52704d · #385334 · #133736
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#e2f0e0 · #b9cfb6 · #9da99b · #6f8d6a · #77557d · #3a4a37
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f5f0f6 · #9aa198 · #6f8d6a · #6b686c · #272e25 · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#eaf6e8 · #bfcebd · #6f8d6a · #142811 · #000600 · #91da85
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#eaf6e8 · #bfcebd · #6f8d6a · #142811 · #000600 · #f4b94d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dbd9b4 · #99ac7a · #6f8d6a · #6b4073 · #313557 · #0e0826
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f9edfb · #9e99c2 · #6f8d6a · #8a576e · #2c2548 · #040001
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ebf2ff · #8a9fc5 · #6f8d6a · #8f5756 · #461d1d · #000007
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e3f5fe · #78a6bd · #6f8d6a · #7d5b83 · #442109 · #030004
#839E7F · #98B094 · #ADC1AA · #C3D3C0 · #D9E6D6
#5A7455 · #455D41 · #32462E · #1F311C · #0E1D0B
#748B70 · #788975 · #7C877A
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.