#76856AWreath (#76856A) is a mid-tone, muted yellow-green with an OKLCH hue of 131°, lightness 0.6 and chroma 0.044. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #76856A |
|---|---|
| RGB | rgb(118, 133, 106) |
| HSL | hsl(93, 11%, 47%) |
| HSV | hsv(93, 20%, 52%) |
| CMYK | cmyk(11%, 0%, 20%, 48%) |
| CIE Lab | lab(53.7 -10.8 12.8) |
| OKLCH | oklch(0.597 0.044 131) |
Under warm 2700K interior light Wreath shifts subtly: leans toward yellow; in north-facing or shaded light it shifts subtly: drifts toward green. Overall drift across common illuminants is small (max ΔE ≈ 1.4), so it is a lighting-stable choice.
#7c8162 — ΔE 1.4, shifts subtly: leans toward yellow#7b8567 — ΔE 0.8, shifts subtly: leans toward yellow#76856a — ΔE 0.0, is virtually unchanged#76866c — ΔE 0.3, shifts subtly: drifts toward greenTest Wreath in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.94:1 and against black 5.33:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#cfdbc5 · #a6b49c · #76856a · #5c6a51 · #3b4732 · #1d2715
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#82b099 · #769d7a · #76856a · #6c7343 · #655d31 · #5c4925
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#84cdc1 · #84a5a0 · #76856a · #556a43 · #3b4e2b · #11342f
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#e1ebd9 · #bac9ae · #9ba495 · #76856a · #6d537f · #3a4631
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f4f0f7 · #979c93 · #76856a · #676469 · #262c22 · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#eef4e9 · #c4ccbf · #76856a · #1c2614 · #010500 · #a4d675
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f7eefd · #a790b6 · #76856a · #735985 · #342041 · #000100
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f7eefd · #9396bf · #76856a · #835472 · #252548 · #040002
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e9f3ff · #7f9dbf · #76856a · #8a535a · #441b22 · #00020b
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e2f6fd · #70a3b5 · #76856a · #735985 · #431d0e · #020005
#8A977F · #9EAA94 · #B2BCAA · #C7D0C0 · #DCE3D7
#606E56 · #4C5742 · #38422F · #252D1E · #131A0D
#78846F · #7A8373 · #7C8178
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.