#779966Mosslands (#779966) is a mid-tone, soft green with an OKLCH hue of 136°, lightness 0.64 and chroma 0.083. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #779966 |
|---|---|
| RGB | rgb(119, 153, 102) |
| HSL | hsl(100, 20%, 50%) |
| HSV | hsv(100, 33%, 60%) |
| CMYK | cmyk(22%, 0%, 33%, 40%) |
| CIE Lab | lab(59.6 -21.6 23.1) |
| OKLCH | oklch(0.644 0.083 136) |
Under warm 2700K interior light Mosslands shifts subtly: drifts toward yellow-green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.4), so it is a lighting-stable choice.
#7f955e — ΔE 1.4, shifts subtly: drifts toward yellow-green#7d9a63 — ΔE 0.9, shifts subtly: drifts toward yellow-green#779966 — ΔE 0.0, is virtually unchanged#779a68 — ΔE 0.3, is virtually unchangedTest Mosslands in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.21:1 and against black 6.53:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#d4f0c7 · #aac99b · #779966 · #5e7d4e · #3d582f · #1f3611
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#8ac0aa · #7dad89 · #779966 · #76824d · #716c3a · #68572c
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#8fb5b1 · #779966 · #5e7950 · #00615b · #29411c · #002724
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#c5dabc · #a8b3a4 · #779966 · #7f5e8e · #44533d · #2b3526
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f5f0f7 · #a4aba1 · #779966 · #757176 · #2b3228 · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f5eff8 · #cdc6d0 · #a098a4 · #281e2c · #060109 · #779966
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d7d4ae · #84b693 · #779966 · #82467b · #383a62 · #1c050c
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f8edfd · #a4a4d1 · #779966 · #965f7d · #2d2951 · #040002
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e9f3ff · #8eabd3 · #779966 · #9d5e63 · #4d1f24 · #000109
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e1f6ff · #7bb2c9 · #779966 · #856494 · #4c220d · #030005
#8AA97B · #9EB891 · #B1C8A6 · #C5D8BC · #DAE9D3
#607E51 · #4A653C · #354C28 · #213516 · #0E1F05
#7C976F · #819478 · #859280
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.