#819B4FRosemarried (#819B4F) is a mid-tone, soft yellow-green with an OKLCH hue of 125°, lightness 0.65 and chroma 0.107. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #819B4F |
|---|---|
| RGB | rgb(129, 155, 79) |
| HSL | hsl(81, 32%, 46%) |
| HSV | hsv(81, 49%, 61%) |
| CMYK | cmyk(17%, 0%, 49%, 39%) |
| CIE Lab | lab(60.5 -21.9 36.6) |
| OKLCH | oklch(0.652 0.107 125) |
Under warm 2700K interior light Rosemarried shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.3), so it is a lighting-stable choice.
#889747 — ΔE 1.3, shifts subtly: leans toward yellow#879b4c — ΔE 0.8, shifts subtly: leans toward yellow#819b4f — ΔE 0.0, is virtually unchanged#819c51 — ΔE 0.3, is virtually unchangedTest Rosemarried in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.12:1 and against black 6.73:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#dcf3b8 · #b3cb89 · #819b4f · #677f38 · #465a18 · #283700
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#88c59f · #81b179 · #819b4f · #838236 · #7f6b25 · #76541d
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#8bbaae · #819b4f · #667b3d · #006555 · #314203 · #002921
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ccdcb2 · #adb6a0 · #819b4f · #7e5ea1 · #4a5635 · #2f3721
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f4effa · #a8ae9f · #819b4f · #76737b · #2e3325 · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f4effb · #cbc6d3 · #9f99a7 · #261e2f · #05010c · #819b4f
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#b2e2db · #83b17a · #819b4f · #4a42d8 · #453a60 · #04111c
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f5eeff · #9ba8e2 · #819b4f · #9b5c8e · #242a5e · #050004
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e7f4ff · #7db1de · #819b4f · #a8586d · #54172a · #000614
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#dbf8ff · #66b9cd · #819b4f · #8464a7 · #551a0c · #03000a
#93AA68 · #A5BA81 · #B7C999 · #CAD9B2 · #DDE9CA
#69803B · #516628 · #3B4D14 · #263501 · #141E00
#84995F · #87976D · #8A947B
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.