#FFAAFFJigglypuff (#FFAAFF) is a very light, saturated magenta with an OKLCH hue of 327°, lightness 0.85 and chroma 0.146. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #FFAAFF |
|---|---|
| RGB | rgb(255, 170, 255) |
| HSL | hsl(300, 100%, 83%) |
| HSV | hsv(300, 33%, 100%) |
| CMYK | cmyk(0%, 33%, 0%, 0%) |
| CIE Lab | lab(80.3 44.1 -29.5) |
| OKLCH | oklch(0.848 0.146 327) |
Under warm 2700K interior light Jigglypuff shifts subtly: leans toward pink; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.2), so it is a lighting-stable choice.
#ffa6ef — ΔE 2.2, shifts subtly: leans toward pink#ffabfa — ΔE 0.8, shifts subtly: leans toward pink#ffaaff — ΔE 0.0, is virtually unchanged#ffabff — ΔE 0.2, is virtually unchangedTest Jigglypuff in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.69:1 and against black 12.45:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffeafe · #ffaaff · #ce83ce · #a360a3 · #7a3f7a · #532054
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#edd4ff · #ffaaff · #f695d1 · #e882a5 · #d4737d · #bd6658
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ffaaff · #d89b9b · #b672b6 · #b6464e · #753a76 · #5d2629
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffe9fe · #ffaaff · #65c271 · #a377a2 · #7f597e · #594058
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ffaaff · #a8b4a9 · #857685 · #454d45 · #271827 · #000100
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ebf5ec · #c1ccc2 · #93a094 · #172719 · #000500 · #ffaaff
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#edeec8 · #ffaaff · #d7a9c2 · #299d7f · #334632 · #140729
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ffaaff · #9fb8a0 · #778426 · #005749 · #1c2100 · #000302
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffaaff · #bdaf91 · #99760a · #00555d · #002328 · #0a0400
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffaaff · #c7aa96 · #af672c · #005b1b · #002134 · #000200
#FFB7FF · #FFC3FE · #FFCEFE · #FFDAFE · #FFE5FE
#D387D3 · #A966AA · #814781 · #5B295B · #370C38
#F5B2F5 · #EBBAEA · #E0C2E0
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.