#EB94DALove Dust (#EB94DA) is a light, saturated magenta with an OKLCH hue of 334°, lightness 0.78 and chroma 0.136. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #EB94DA |
|---|---|
| RGB | rgb(235, 148, 218) |
| HSL | hsl(312, 69%, 75%) |
| HSV | hsv(312, 37%, 92%) |
| CMYK | cmyk(0%, 37%, 7%, 8%) |
| CIE Lab | lab(72.2 42.9 -22) |
| OKLCH | oklch(0.777 0.136 334) |
Under warm 2700K interior light Love Dust shifts subtly: leans toward pink; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2), so it is a lighting-stable choice.
#ef90cc — ΔE 2.0, shifts subtly: leans toward pink#f195d6 — ΔE 1.2, shifts subtly: leans toward pink#eb94da — ΔE 0.0, is virtually unchanged#eb95dd — ΔE 0.4, is virtually unchangedTest Love Dust in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.15:1 and against black 9.78:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffebfa · #eb94da · #d381c4 · #a85f9a · #7e3e73 · #561f4d
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffced7 · #ffadd3 · #eb94da · #c589d7 · #9f7fcc · #7a75bc
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#eb94da · #be8781 · #a25d95 · #9b3631 · #632759 · #461613
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ecd0e5 · #eb94da · #41ac6d · #8f6386 · #6c4664 · #462e41
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e8f6ec · #eb94da · #a694a1 · #576059 · #30202d · #000100
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#eaf5ed · #c2cec5 · #95a499 · #1d2f23 · #000d04 · #eb94da
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d4d7b2 · #eb94da · #b989c6 · #248a82 · #31412f · #120824
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#aededf · #eb94da · #83ada4 · #788b51 · #334032 · #1f050a
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fbf2d4 · #eb94da · #b09943 · #00697a · #002c35 · #0a0500
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffefe0 · #eb94da · #c98b4d · #00703c · #002945 · #000601
#F0A3E0 · #F5B2E7 · #FAC0ED · #FECFF3 · #FFDFF8
#C376B5 · #9D5991 · #793D6E · #56234D · #35092F
#E19CD3 · #D6A4CB · #CBABC4
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.