#0B4008Hunter Green (#0B4008) is a very dark, soft green with an OKLCH hue of 142°, lightness 0.33 and chroma 0.1. It sits on the transitional side of the color wheel. In practice it behaves as a grounding tone — suited to text, outlines, and shadowed surfaces.
| HEX | #0B4008 |
|---|---|
| RGB | rgb(11, 64, 8) |
| HSL | hsl(117, 78%, 14%) |
| HSV | hsv(117, 88%, 25%) |
| CMYK | cmyk(83%, 0%, 88%, 75%) |
| CIE Lab | lab(22.8 -29.1 27.3) |
| OKLCH | oklch(0.325 0.100 142) |
Under warm 2700K interior light Hunter Green shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.8), so it is a lighting-stable choice.
#153e05 — ΔE 0.8, shifts subtly: leans toward yellow#114006 — ΔE 0.4, shifts subtly: leans toward yellow#0b4008 — ΔE 0.0, is virtually unchanged#0a4009 — ΔE 0.1, is virtually unchangedTest Hunter Green in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 11.99:1 and against black 1.75:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#82a57e · #598155 · #325e2e · #0b4008 · #001b00 · #000200
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#1e736f · #006351 · #005231 · #0b4008 · #203000 · #222200
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#7db2b0 · #6c9467 · #007a7a · #2a5757 · #0b4008 · #002400
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#b07eb7 · #60785d · #485646 · #0b4008 · #082006 · #000600
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f6eff7 · #b0baaf · #827d83 · #454f43 · #0b4008 · #221c23
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f7eef8 · #cfc5d0 · #a397a4 · #2a1d2c · #080109 · #0b4008
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d7d9b4 · #a2bb85 · #ef30b0 · #483e67 · #0b4008 · #1f0507
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#fcecfe · #b8aee6 · #ad6585 · #4d4276 · #0b4008 · #301320
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ebf2ff · #9bb7eb · #b36664 · #733736 · #0b4008 · #111e36
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e3f5ff · #81c0e2 · #9b6aa2 · #6f3d1b · #0b4008 · #29152c
#325D2E · #557A51 · #789975 · #9DB89A · #C4D9C1
#063704 · #032D02 · #002500 · #001C00 · #001400
#193E16 · #223C20 · #293928
As a deep tone it works for grounding elements — text, outlines, and shadowed surfaces — rather than open fields. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.