#264334Everglade (#264334) is a dark, muted green with an OKLCH hue of 160°, lightness 0.35 and chroma 0.044. It sits on the cool side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #264334 |
|---|---|
| RGB | rgb(38, 67, 52) |
| HSL | hsl(149, 28%, 21%) |
| HSV | hsv(149, 43%, 26%) |
| CMYK | cmyk(43%, 0%, 22%, 74%) |
| CIE Lab | lab(25.8 -14.9 5.7) |
| OKLCH | oklch(0.355 0.044 160) |
Under warm 2700K interior light Everglade shifts subtly: leans toward yellow-green; in north-facing or shaded light it shifts subtly: leans toward blue-green. Overall drift across common illuminants is small (max ΔE ≈ 0.9), so it is a lighting-stable choice.
#2b4130 — ΔE 0.9, shifts subtly: leans toward yellow-green#294333 — ΔE 0.4, shifts subtly: leans toward yellow-green#264334 — ΔE 0.0, is virtually unchanged#264335 — ΔE 0.2, shifts subtly: leans toward blue-greenTest Everglade in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 10.85:1 and against black 1.93:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#90a69a · #698174 · #435e50 · #264334 · #041e12 · #000401
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#41777f · #296866 · #14584b · #264334 · #153617 · #172503
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#92b7bf · #709c84 · #357f8d · #3e5c63 · #264334 · #002b19
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#aec2b6 · #b785a5 · #4f5d55 · #264334 · #0c261a · #000c04
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f7eff4 · #b2bdb7 · #898387 · #4c5750 · #264334 · #292327
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e9f5ee · #bfcec5 · #92a299 · #264334 · #000903 · #e05eba
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#e9f5ee · #bfcec5 · #92a299 · #264334 · #000903 · #f2ba4d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#fdecf6 · #d5abc6 · #a47393 · #6c465f · #264334 · #132b1f
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#fdecf6 · #c6b0d7 · #ad727a · #5f4a6e · #264334 · #351d21
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eff1ff · #b2b6e1 · #ac7662 · #724838 · #264334 · #222337
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e8f3ff · #9ebee0 · #a47393 · #6a4e2a · #264334 · #321e2b
#445E50 · #647B6E · #85998D · #A7B7AE · #CAD7CF
#1E392B · #172F23 · #10251A · #091B12 · #04120B
#2B4236 · #304037 · #353E39
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.