Fine Pine `#008800`

Fine Pine (#008800) is a mid-tone, saturated green with an OKLCH hue of 142°, lightness 0.54 and chroma 0.185. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.

Color values

HEX	`#008800`
RGB	`rgb(0, 136, 0)`
HSL	`hsl(120, 100%, 27%)`
HSV	`hsv(120, 100%, 53%)`
CMYK	`cmyk(100%, 0%, 100%, 47%)`
CIE Lab	`lab(49 -54 52.1)`
OKLCH	`oklch(0.543 0.185 142)`

How Fine Pine behaves under real light

Under warm 2700K interior light Fine Pine shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.4), so it is a lighting-stable choice.

Warm interior (2700K incandescent / warm LED): → #278500 — ΔE 1.4, shifts subtly: leans toward yellow
Neutral LED (4000K task and retail lighting): → #198800 — ΔE 0.6, is virtually unchanged
Daylight (6500K standard daylight (reference)): → #008800 — ΔE 0.0, is virtually unchanged
Blue-sky shade (cool daylight (~10000K proxy)): → #008902 — ΔE 0.3, is virtually unchanged

Test Fine Pine in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.

Contrast & accessibility

Against white it measures 4.64:1 and against black 4.52:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.

Colors that go with Fine Pine

Tonal

One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.

#8edc87 · #5cb656 · #008800 · #006900 · #004200 · #001e00

Analogous

The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.

#00ac8e · #009961 · #008800 · #4c6a00 · #515200 · #4b3d00

Shifted

The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.

#00c4c4 · #389f9e · #008800 · #006600 · #004700 · #002626

Contrast

One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.

#b2e5ad · #c666d4 · #008800 · #3f593c · #084006 · #032003

Quiet Support

The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.

#fbecfc · #7e907c · #008800 · #5c535d · #162914 · #020003

Bright Accent

This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.

#f7eef8 · #cfc5d0 · #a397a4 · #2a1d2c · #080109 · #008800

Complementary

The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.

#dbd5af · #8ec4a4 · #9870aa · #008800 · #471aaf · #020d21

Split-complementary

The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.

#edcae1 · #a596c2 · #c65d87 · #008800 · #475983 · #04110d

Triadic

Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.

#ebf2ff · #5887e3 · #008800 · #a40020 · #4a0008 · #000012

Tetradic

Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.

#e3f5ff · #0096cb · #008800 · #832090 · #3c1700 · #050008

Tints, shades & muted variants

Tints

#3E9C39 · #62AF5C · #83C37D · #A2D79D · #C2EBBE

Shades

#007100 · #005A00 · #004500 · #003000 · #001D00

Muted

#32842E · #487F44 · #597A56

Using Fine Pine

Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.