#008F00Clover (#008F00) is a mid-tone, saturated green with an OKLCH hue of 142°, lightness 0.56 and chroma 0.192. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #008F00 |
|---|---|
| RGB | rgb(0, 143, 0) |
| HSL | hsl(120, 100%, 28%) |
| HSV | hsv(120, 100%, 56%) |
| CMYK | cmyk(100%, 0%, 100%, 44%) |
| CIE Lab | lab(51.4 -56 54.1) |
| OKLCH | oklch(0.563 0.192 142) |
Under warm 2700K interior light Clover shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.6), so it is a lighting-stable choice.
#298b00 — ΔE 1.6, shifts subtly: leans toward yellow#1b9000 — ΔE 0.8, is virtually unchanged#008f00 — ΔE 0.0, is virtually unchanged#009003 — ΔE 0.3, is virtually unchangedTest Clover in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 4.26:1 and against black 4.93:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#92e38b · #5fbe59 · #008f00 · #007000 · #004800 · #002400
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#00b394 · #00a165 · #008f00 · #517000 · #575800 · #514200
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#00cbcb · #3aa5a5 · #008f00 · #006d00 · #004d00 · #002c2b
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#c3e8bf · #91ca8b · #82a07f · #008f00 · #841c92 · #144411
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fbecfd · #839781 · #008f00 · #625863 · #182b16 · #020003
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f7eef8 · #cfc5d0 · #a397a4 · #2a1d2c · #080109 · #008f00
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d0d6b1 · #f870a9 · #008f00 · #586646 · #3e3151 · #200703
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f1cbb9 · #8083ce · #008f00 · #625a83 · #613a55 · #121204
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ebf2ff · #5c8ded · #008f00 · #ae0023 · #4e0009 · #000012
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e3f5ff · #009dd4 · #008f00 · #8a2499 · #3f1900 · #050008
#40A23A · #63B45E · #84C77E · #A3DA9E · #C2ECBE
#007600 · #005F00 · #004800 · #003200 · #001E00
#358B31 · #4C8648 · #5D805A
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.