#9D5783Feminism (#9D5783) is a mid-tone, soft magenta with an OKLCH hue of 343°, lightness 0.55 and chroma 0.108. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #9D5783 |
|---|---|
| RGB | rgb(157, 87, 131) |
| HSL | hsl(322, 29%, 48%) |
| HSV | hsv(322, 45%, 62%) |
| CMYK | cmyk(0%, 45%, 17%, 38%) |
| CIE Lab | lab(46.5 34.9 -12) |
| OKLCH | oklch(0.553 0.108 343) |
Under warm 2700K interior light Feminism shifts subtly: drifts toward pink; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.3), so it is a lighting-stable choice.
#9f547b — ΔE 1.3, shifts subtly: drifts toward pink#a15780 — ΔE 0.9, shifts subtly: leans toward red#9d5783 — ΔE 0.0, is virtually unchanged#9d5785 — ΔE 0.3, is virtually unchangedTest Feminism in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 5.09:1 and against black 4.12:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#eeb4d6 · #ca8ab1 · #9d5783 · #7e3f67 · #561f44 · #310123
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#c48185 · #b36b83 · #9d5783 · #7f4b7f · #614176 · #443668
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ea9580 · #ae857a · #9d5783 · #784063 · #592647 · #3a160d
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#7edab0 · #a28b98 · #9d5783 · #6a465c · #492a3d · #271420
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e9f5ef · #978890 · #9d5783 · #535b57 · #2d1f28 · #000101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e9f5ef · #bfcec6 · #91a299 · #152a20 · #000803 · #9d5783
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d4d6b1 · #4eb5b2 · #9f6cb6 · #9d5783 · #50684c · #130521
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#dff9ec · #789861 · #9d5783 · #006665 · #142b00 · #000303
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f5f3db · #978f4f · #9d5783 · #00637c · #002936 · #050300
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffefdc · #ad854f · #9d5783 · #006a48 · #00244b · #000301
#AF6F96 · #C088A9 · #D1A0BD · #E3BAD1 · #F4D3E6
#84456D · #6C3458 · #552444 · #3E1530 · #29061E
#955E80 · #8C647C · #836A78
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.