#A6646FCinnapink (#A6646F) is a mid-tone, soft pink with an OKLCH hue of 9°, lightness 0.58 and chroma 0.086. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #A6646F |
|---|---|
| RGB | rgb(166, 100, 111) |
| HSL | hsl(350, 27%, 52%) |
| HSV | hsv(350, 40%, 65%) |
| CMYK | cmyk(0%, 40%, 33%, 35%) |
| CIE Lab | lab(49.9 28 5.2) |
| OKLCH | oklch(0.579 0.086 9) |
Under warm 2700K interior light Cinnapink shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#a86167 — ΔE 1.2, shifts subtly: leans toward orange#aa646d — ΔE 0.8, shifts subtly: leans toward orange#a6646f — ΔE 0.0, is virtually unchanged#a66571 — ΔE 0.3, is virtually unchangedTest Cinnapink in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 4.49:1 and against black 4.67:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#f8c0c8 · #d3969f · #a6646f · #874b56 · #5f2b35 · #390d18
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#c3917e · #b67a74 · #a6646f · #8c556c · #724767 · #583b5d
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e0ab7e · #ac937d · #a6646f · #814b54 · #61323a · #39230e
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#7ed6d0 · #aa9598 · #a6646f · #725055 · #513338 · #2e1b1e
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e9f5f3 · #9f9193 · #a6646f · #5a6261 · #312325 · #000202
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e8f5f4 · #becdcb · #8fa19f · #112927 · #000706 · #a6646f
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d4dcb7 · #60baa1 · #a6646f · #725979 · #2d3e2e · #200a03
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#dff8f5 · #70a286 · #a6646f · #0a6b81 · #00311c · #000408
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ecf6e3 · #889e71 · #a6646f · #37638f · #022949 · #010400
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f6f3df · #9f9664 · #a6646f · #006f6a · #21224a · #000202
#B67A83 · #C69198 · #D6A8AE · #E6BFC4 · #F5D7DB
#8B505B · #723E47 · #592C34 · #411B22 · #2B0A12
#9E6971 · #956E74 · #8B7376
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.