Enraged `#EE0044`

Enraged (#EE0044) is a mid-tone, vivid red with an OKLCH hue of 19°, lightness 0.6 and chroma 0.241. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.

Color values

HEX	`#EE0044`
RGB	`rgb(238, 0, 68)`
HSL	`hsl(343, 100%, 47%)`
HSV	`hsv(343, 100%, 93%)`
CMYK	`cmyk(0%, 100%, 71%, 7%)`
CIE Lab	`lab(50.2 77.4 33.5)`
OKLCH	`oklch(0.601 0.241 19)`

How Enraged behaves under real light

Under warm 2700K interior light Enraged shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.9), so it is a lighting-stable choice.

Warm interior (2700K incandescent / warm LED): → #ee003e — ΔE 0.7, shifts subtly: leans toward orange
Neutral LED (4000K task and retail lighting): → #f20042 — ΔE 0.9, is virtually unchanged
Daylight (6500K standard daylight (reference)): → #ee0044 — ΔE 0.0, is virtually unchanged
Blue-sky shade (cool daylight (~10000K proxy)): → #ef0145 — ΔE 0.2, is virtually unchanged

Test Enraged in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.

Contrast & accessibility

Against white it measures 4.45:1 and against black 4.72:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.

Colors that go with Enraged

Tonal

One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.

#ffc8c8 · #ff878c · #ee0044 · #bf0034 · #830021 · #4c000e

Analogous

The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.

#fe7a06 · #fa4e23 · #ee0044 · #ca0064 · #a60075 · #81057b

Shifted

The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.

#ffa929 · #ce9141 · #ee0044 · #bb0033 · #8a0023 · #432700

Contrast

One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.

#ffe0df · #00dfe5 · #ee0044 · #854f51 · #7a1726 · #471016

Quiet Support

The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.

#d9f9fa · #b89090 · #ee0044 · #556b6c · #431d1f · #000202

Bright Accent

This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.

#e6f5f6 · #bbcdcd · #8ca0a1 · #0b2728 · #000506 · #ee0044

Complementary

The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.

#dad5b0 · #39c1f8 · #ee0044 · #8b577a · #293854 · #030f21

Split-complementary

The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.

#c9feff · #00b78c · #ee0044 · #007194 · #003325 · #000409

Triadic

Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.

#dafecf · #55b62e · #ee0044 · #005fd3 · #002660 · #000200

Tetradic

Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.

#f5f6be · #a5a200 · #ee0044 · #007579 · #2f0074 · #000202

Tints, shades & muted variants

Tints

#FA495E · #FF727B · #FF979A · #FFB7B8 · #FFD5D5

Shades

#C60037 · #9F002A · #7A001E · #570012 · #360007

Muted

#DA4052 · #C55960 · #AF6B6C

Using Enraged

Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.