#E40058Framboise (#E40058) is a mid-tone, vivid pink with an OKLCH hue of 11°, lightness 0.59 and chroma 0.234. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #E40058 |
|---|---|
| RGB | rgb(228, 0, 88) |
| HSL | hsl(337, 100%, 45%) |
| HSV | hsv(337, 100%, 89%) |
| CMYK | cmyk(0%, 100%, 61%, 11%) |
| CIE Lab | lab(48.5 76 18.7) |
| OKLCH | oklch(0.586 0.234 11) |
Under warm 2700K interior light Framboise shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.9), so it is a lighting-stable choice.
#e40052 — ΔE 0.8, shifts subtly: leans toward orange#e80056 — ΔE 0.9, is virtually unchanged#e40058 — ΔE 0.0, is virtually unchanged#e50159 — ΔE 0.2, is virtually unchangedTest Framboise in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 4.73:1 and against black 4.44:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffc0c7 · #ff7c92 · #e40058 · #b60044 · #7b002b · #450014
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#fa7231 · #f34840 · #e40058 · #c00070 · #9a067d · #750c80
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ffa039 · #cd8946 · #e40058 · #b20043 · #82002e · #412200
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00e0da · #c58c92 · #e40058 · #97374a · #6f1b2f · #420c19
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#daf9f7 · #b28c90 · #e40058 · #526766 · #3f1c21 · #000202
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f4 · #bccdcc · #8da1a0 · #0d2827 · #000605 · #e40058
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#c5fffb · #00ada9 · #e40058 · #00716e · #00302e · #190003
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#c5fffb · #00b379 · #e40058 · #006d87 · #00321e · #00050a
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e1fccb · #6cad00 · #e40058 · #0063b1 · #002950 · #010700
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fbf4be · #aa9900 · #e40058 · #00716e · #250077 · #000202
#F1476F · #FD6B86 · #FF91A1 · #FFB4BD · #FFD3D8
#BE0048 · #990038 · #750029 · #54001B · #35000D
#D13D60 · #BE5568 · #A8676F
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.