#9F2305Burnt Red (#9F2305) is a dark, saturated red with an OKLCH hue of 33°, lightness 0.46 and chroma 0.164. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #9F2305 |
|---|---|
| RGB | rgb(159, 35, 5) |
| HSL | hsl(12, 94%, 32%) |
| HSV | hsv(12, 97%, 62%) |
| CMYK | cmyk(0%, 78%, 97%, 38%) |
| CIE Lab | lab(35.2 49.2 46.1) |
| OKLCH | oklch(0.460 0.164 33) |
Under warm 2700K interior light Burnt Red is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.6), so it is a lighting-stable choice.
#9f1e01 — ΔE 0.6, is virtually unchanged#a22203 — ΔE 0.6, is virtually unchanged#9f2305 — ΔE 0.0, is virtually unchanged#a02406 — ΔE 0.3, is virtually unchangedTest Burnt Red in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 7.73:1 and against black 2.72:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ee8d77 · #cb604a · #9f2305 · #771300 · #420500 · #170000
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ad6806 · #a64b00 · #9f2305 · #860c28 · #6b0033 · #4e0036
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#cbad6d · #b78a00 · #8a7138 · #9f2305 · #731200 · #490600
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00dbfc · #c58677 · #926d65 · #9f2305 · #612519 · #36130c
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e1f6fb · #c3a9a2 · #667578 · #9f2305 · #533832 · #000406
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f8 · #bccdd1 · #8ea1a6 · #0f292f · #00070b · #9f2305
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#daf8ff · #0cc4e1 · #008093 · #9f2305 · #004855 · #080000
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#cddcb9 · #7bb0da · #5d928e · #9f2305 · #3a473b · #150b03
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#dafce3 · #66c888 · #5565cf · #9f2305 · #2b3387 · #000601
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ebf8d4 · #9fbd5a · #008093 · #9f2305 · #50257a · #000305
#B44933 · #C96A56 · #DC8A78 · #EFAA9A · #FFCBBF
#871800 · #6F1100 · #570A00 · #410400 · #2C0000
#923623 · #844234 · #754C42
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.